1 00:00:17,080 --> 00:00:21,000 Here we are again. Day one. Year six. 2 00:00:21,800 --> 00:00:23,390 Shooting "Redemption". 3 00:00:24,120 --> 00:00:25,840 Stargate - the comedy. 4 00:00:26,360 --> 00:00:27,560 That's a twist. 5 00:00:27,720 --> 00:00:30,760 Michael. Season six, day one. How's it going? 6 00:00:32,960 --> 00:00:34,950 I think it's going well. 7 00:00:36,080 --> 00:00:38,310 Day one, season six. How's it going for you? 8 00:00:38,400 --> 00:00:42,400 It was a great day when I managed to say a few of the words that were written. 9 00:00:42,480 --> 00:00:47,480 - Which words did you have trouble with? - Any that had more than one syllable. 10 00:00:48,360 --> 00:00:50,350 Close the blast doors. 11 00:00:57,400 --> 00:00:59,550 We're gonna blow something up now. 12 00:00:59,640 --> 00:01:01,470 Wray Douglas, Special Effects. 13 00:01:01,560 --> 00:01:04,360 What safety precautions do you personally take? 14 00:01:04,440 --> 00:01:06,430 I cower like a child. 15 00:01:07,440 --> 00:01:09,670 Large balls of cotton in my ears, 16 00:01:09,760 --> 00:01:13,360 and I usually let Scott do it so I don't get in trouble. 17 00:01:13,440 --> 00:01:15,720 I'm in charge of the lightning. 18 00:01:15,800 --> 00:01:19,270 How long do you want this to last? This duration on this little...? 19 00:01:19,360 --> 00:01:21,160 Shoot it pretty quick. 20 00:01:21,240 --> 00:01:23,840 There's 16 hits, so I'll just go pop-pop-pop-pop. 21 00:01:24,440 --> 00:01:26,640 Open the iris. 22 00:01:27,880 --> 00:01:30,080 And spin it. 23 00:01:33,200 --> 00:01:35,430 (Carter) Energy transfers increasing. 24 00:01:36,040 --> 00:01:37,760 Seven times greater. 25 00:01:37,840 --> 00:01:40,560 Eight... ten... 26 00:01:46,080 --> 00:01:48,230 And... Iightning! 27 00:01:50,320 --> 00:01:52,280 And... explosion! 28 00:02:02,600 --> 00:02:04,960 Close the iris. 29 00:02:12,760 --> 00:02:15,230 What do you put in there to blow it? 30 00:02:15,320 --> 00:02:18,160 Some match heads and a Ping-Pong ball. 31 00:02:18,240 --> 00:02:22,240 Lots of match heads. And some chicken feathers. 32 00:02:27,840 --> 00:02:32,600 Camera blocking is one of the first things a director has to do 33 00:02:32,680 --> 00:02:35,480 before you sit down in a studio and start shooting. 34 00:02:35,560 --> 00:02:38,630 So I do a lot of mine here, in my living room. 35 00:02:38,720 --> 00:02:43,430 One reason for it is because, especially in a double episode like "Redemption", 36 00:02:43,520 --> 00:02:47,480 what ends up happening is, every department has a million questions. 37 00:02:47,880 --> 00:02:51,080 If I'm sitting in the office, everybody asks me questions. 38 00:02:51,160 --> 00:02:53,280 Props has questions. So does Set Design. 39 00:02:53,360 --> 00:02:56,560 Set Decorating has questions. Costumes has questions. 40 00:02:56,640 --> 00:02:59,760 Everybody has questions that need to be answered. 41 00:03:01,080 --> 00:03:05,040 So I never get any of my own work done, which is actually blocking the show out. 42 00:03:05,120 --> 00:03:08,160 It starts out for me with a script. 43 00:03:08,800 --> 00:03:11,950 I get the script and sit down and read it the first time through. 44 00:03:12,040 --> 00:03:15,830 If I have any notes that jump out at me immediately - 45 00:03:16,480 --> 00:03:21,510 transitions from scene to scene, things that don't work for me in the script, 46 00:03:21,600 --> 00:03:28,920 because a lot of times the script changes drastically from the first writer's draft - 47 00:03:29,000 --> 00:03:33,790 I'll make little notes and dog-ear the page so I can complain to the relevant people. 48 00:03:34,240 --> 00:03:37,790 "Area 51 hangar. Two giant doors crack and roll open, 49 00:03:37,880 --> 00:03:40,760 revealing SG-1, Jonas and two armed security guards." 50 00:03:40,840 --> 00:03:43,960 "They look in. A huge hangar housing a very cool-looking airplane." 51 00:03:44,280 --> 00:03:49,560 The writers didn't know that hangar doors generally don't open splitting like that. 52 00:03:49,640 --> 00:03:53,520 In Canada, at least in the airports around here, they open from here. 53 00:03:53,600 --> 00:03:57,560 So, hangar doors split here... 54 00:03:58,920 --> 00:04:01,440 open up, revealing our characters. 55 00:04:01,520 --> 00:04:04,510 Behind them, hopefully we'll have some planes. 56 00:04:12,920 --> 00:04:15,720 OK, so O'Neill, Jonas, Teal'c and Carter. 57 00:04:16,320 --> 00:04:21,350 They walk in, next step, they turn around and they see the X302. 58 00:04:24,400 --> 00:04:29,030 There's Teal'c, reaching up and touching the bottom of the ship. 59 00:04:29,120 --> 00:04:31,510 They're looking into the cockpit. 60 00:04:34,200 --> 00:04:38,160 - Carter and Murphy are looking up. - I thought you'd like to see the prototype. 61 00:04:38,680 --> 00:04:40,720 As you will see when we get out there, 62 00:04:40,800 --> 00:04:43,640 only this part of the X302 actually exists. 63 00:04:43,720 --> 00:04:46,680 It'll be sitting up on top of a big crate in here. 64 00:04:47,400 --> 00:04:50,630 The trick to doing this is to make it look as real as possible, 65 00:04:50,720 --> 00:04:54,560 so you tie in pieces like this, making it organic. 66 00:04:54,640 --> 00:04:58,480 This, again, makes the audience - makes everybody, me included - 67 00:04:58,560 --> 00:05:02,160 feel like there really is an X302 sitting there. 68 00:05:02,600 --> 00:05:04,480 OK. You're not gonna believe this. 69 00:05:24,720 --> 00:05:27,520 This is how they make the sky. 70 00:05:42,320 --> 00:05:47,560 After a hard day at 40,000 feet, I like to settle back with a nice, cold Hamm's beer. 71 00:05:47,640 --> 00:05:50,520 3.2 gets me there. 72 00:05:55,320 --> 00:05:57,630 - Who are you? - Jonas Quinn. 73 00:05:58,000 --> 00:06:00,230 Oh, the alien with the wacky naqahdah. 74 00:06:00,440 --> 00:06:05,150 It was really about how do we incorporate... 75 00:06:07,560 --> 00:06:09,440 Jonas Quinn into the team. 76 00:06:09,760 --> 00:06:12,230 It was originally just a one-parter. 77 00:06:12,360 --> 00:06:15,200 I started writing and realised that, 78 00:06:15,280 --> 00:06:21,880 while the whole X302 story and saving the planet from Anubis's attack 79 00:06:21,960 --> 00:06:24,520 was the main thrust of the story, 80 00:06:24,600 --> 00:06:29,230 another large part of it had to be about who the new member of SG-1 was. 81 00:06:29,320 --> 00:06:32,230 So, in fact, the whole first act of the show 82 00:06:32,320 --> 00:06:35,600 became about who was gonna replace Daniel, 83 00:06:35,680 --> 00:06:38,320 and that Jonas really wanted to. 84 00:06:39,160 --> 00:06:42,390 Then the rest of the story started to evolve. 85 00:06:42,480 --> 00:06:49,830 I got to the end of act four, I think, and was on page 45 or 50, and realised... 86 00:06:50,480 --> 00:06:53,680 Our scripts are usually about 45 pages long. 87 00:06:53,760 --> 00:06:55,910 I realised I still had a lot to go. 88 00:06:57,680 --> 00:07:02,440 So I called Brad and said "l think I've got a two-parter." 89 00:07:03,080 --> 00:07:06,070 All I can do is try and change what happens from now on. 90 00:07:07,440 --> 00:07:11,200 I don't want you to exonerate me. I just want to be given the opportunity 91 00:07:11,280 --> 00:07:13,030 to prove that I can make a difference. 92 00:07:13,400 --> 00:07:15,600 I don't want it to be too comfortable. 93 00:07:15,680 --> 00:07:21,310 We can't just fall into "There the four of us go, off exploring the galaxy." 94 00:07:21,400 --> 00:07:23,230 "The new SG-1 ". 95 00:07:23,320 --> 00:07:25,760 It can't be that easy. It's never that easy. 96 00:07:25,840 --> 00:07:30,630 If you think about how the group dynamic changed and grew over five years, 97 00:07:30,720 --> 00:07:34,760 to suddenly introduce a new element and expect them to replace 98 00:07:34,840 --> 00:07:37,440 the person that was there before, is wrong. 99 00:07:37,920 --> 00:07:44,030 Out of respect for Daniel's character and what he meant to SG-1, 100 00:07:44,120 --> 00:07:48,080 I thought it was important to really make it hard 101 00:07:48,160 --> 00:07:53,110 for Jonas to get his point across, that he wanted to be on the team. 102 00:07:53,200 --> 00:07:56,880 I don't think any of the team members would just accept him right away. 103 00:07:57,080 --> 00:08:01,550 I wanted to be true to the friendship between Sam and Dan. 104 00:08:01,640 --> 00:08:05,240 I felt that, if I walked in, blasé - 105 00:08:05,320 --> 00:08:07,790 also recognising that this is the first time 106 00:08:07,880 --> 00:08:11,920 the audience has seen Daniel's lab with somebody else in it - 107 00:08:12,000 --> 00:08:15,630 if I were to be too blasé about him being in there reading Daniel's books, 108 00:08:15,720 --> 00:08:18,710 going through Daniel's stuff, making himself at home, 109 00:08:18,800 --> 00:08:24,120 then it wouldn't be true to the character or to the relationship. 110 00:08:24,480 --> 00:08:28,030 They don't realise the threat out there. I can help them by helping you. 111 00:08:28,120 --> 00:08:31,030 I can also help finish what Dr Jackson started. 112 00:08:31,120 --> 00:08:33,400 Jonas. 113 00:08:33,480 --> 00:08:36,710 I understand why you wanna join SG-1. 114 00:08:38,160 --> 00:08:40,150 And I'm sorry, but... 115 00:08:41,840 --> 00:08:44,120 I just don't see it happening. 116 00:08:44,200 --> 00:08:47,080 I think partly because of Corin's presence, 117 00:08:47,160 --> 00:08:51,040 you're trying to establish a new dynamic and figure out what that dynamic is. 118 00:08:51,120 --> 00:08:56,280 It was actually not as bad as I thought it would be. 119 00:08:56,360 --> 00:09:01,480 I miss him terribly, but it allows me to do other things, 120 00:09:01,560 --> 00:09:05,080 Iike actually learn my lines in between setups, 121 00:09:05,160 --> 00:09:08,710 and to work on things like scripts and stuff like that. 122 00:09:08,800 --> 00:09:13,880 Whereas previously, we'd be in there goofing off, 123 00:09:13,960 --> 00:09:17,110 telling jokes, or just talking about life or whatever. 124 00:09:17,200 --> 00:09:21,080 It's also, to be honest, weird from an actor's perspective, 125 00:09:21,160 --> 00:09:26,320 because Michael, Christopher and I spent the pilot living in each other's pockets 126 00:09:26,400 --> 00:09:29,630 when we all lived at the hotel together for six weeks, 127 00:09:29,720 --> 00:09:34,960 and got to know each other as people and had this shared experience on set and off. 128 00:09:35,040 --> 00:09:40,750 I'm looking forward to how well I fit in with the group, 129 00:09:40,840 --> 00:09:44,310 just like how Jonas has to fit in with the SG-1 and SGC. 130 00:09:46,120 --> 00:09:49,510 The same thing has to do with me and everybody else here. 131 00:09:49,600 --> 00:09:53,680 I also have to find out exactly what position I play 132 00:09:53,800 --> 00:09:56,870 as Corin Nemec with this group of creative individuals. 133 00:09:57,120 --> 00:10:01,400 - Dr Jackson's gone. - Yeah. I noticed that. 134 00:10:02,040 --> 00:10:05,000 Not a day goes by when I don't think about what happened. 135 00:10:05,080 --> 00:10:08,280 I stood by and watched while he saved my people from disaster. 136 00:10:08,480 --> 00:10:11,440 It should have been me who disarmed the device 137 00:10:11,520 --> 00:10:13,800 and he's gone because I didn't. 138 00:10:13,880 --> 00:10:18,160 - You have to live with that. So do l. - You want me to make you feel better? 139 00:10:18,240 --> 00:10:21,120 It wasn't your fault. I don't blame you. 140 00:10:21,200 --> 00:10:24,400 I actually wrote the first episode with Jonas in it. 141 00:10:26,400 --> 00:10:31,080 In a way, everyone else has had to follow my lead. 142 00:10:31,160 --> 00:10:34,790 The warm part about it now is just creating the character, 143 00:10:36,880 --> 00:10:39,240 discovering who this guy is. 144 00:10:39,320 --> 00:10:42,600 That's something that we'll all do together, 145 00:10:42,680 --> 00:10:44,480 myself as an actor, and the writers. 146 00:10:44,680 --> 00:10:48,990 It's a real give-and-take thing, where we see the dailies, 147 00:10:49,080 --> 00:10:51,550 see what the actors are doing with the part, 148 00:10:51,640 --> 00:10:55,480 and we try and incorporate those elements into the scripts. 149 00:10:56,720 --> 00:10:59,760 It all evolves from there, and you just try and stay true 150 00:10:59,840 --> 00:11:02,830 to the idea of that character's arc. 151 00:11:02,920 --> 00:11:06,230 In Jonas's case, it's to prove himself to us, 152 00:11:06,320 --> 00:11:11,030 that he's actually a very courageous guy who wants to be a part of our cause. 153 00:11:11,120 --> 00:11:16,150 I think that, as the newness starts to wear off for the character, 154 00:11:16,240 --> 00:11:18,550 being in this new world, on this new planet, 155 00:11:18,640 --> 00:11:24,910 I think that the real root of who he is will be well-defined at that point. 156 00:11:25,000 --> 00:11:29,080 I'm pretty excited about who that guy is gonna be. 157 00:11:29,200 --> 00:11:31,880 According to Dr Fraiser's tests, I have the ability 158 00:11:31,960 --> 00:11:34,560 to learn much quicker than the average human. 159 00:11:34,640 --> 00:11:38,320 - All very interesting information, but... - I wanna join you. 160 00:11:38,400 --> 00:11:42,080 Explore other planets, discover new worlds, new cultures, 161 00:11:42,160 --> 00:11:45,870 - help rid the galaxy of the Goa'uld. - I get the picture. 162 00:11:45,960 --> 00:11:51,510 What I'm pushing toward, which hopefully will manifest itself later on down the line, 163 00:11:51,600 --> 00:11:54,670 is a very well-assimilated individual 164 00:11:54,760 --> 00:12:00,360 who has no characteristics of being from another planet. 165 00:12:00,880 --> 00:12:03,030 Clear skies, 73 degrees. 166 00:12:03,680 --> 00:12:06,360 There are at least 500 other channels, you know. 167 00:12:06,920 --> 00:12:09,520 But this one... this one is fantastic. 168 00:12:09,600 --> 00:12:13,750 I mean, you have all of your weather from all over your planet right here. 169 00:12:13,840 --> 00:12:17,600 There'll be a different dynamic within the group, certainly. 170 00:12:17,680 --> 00:12:21,360 But Daniel's presence, I think, will be felt throughout the show. 171 00:12:21,440 --> 00:12:25,200 But I was pleasantly surprised by Corin 172 00:12:25,280 --> 00:12:28,080 and how well he's working out and fitting in. 173 00:12:28,160 --> 00:12:32,840 So it's definitely gone beyond anything that I expected. 174 00:12:32,920 --> 00:12:34,720 He's just a super-nice guy. 175 00:12:37,200 --> 00:12:39,030 I'm OK. I wasn't ready. 176 00:12:44,400 --> 00:12:45,630 I'm ready now. 177 00:12:45,720 --> 00:12:49,640 The character's new to the show so he brings a whole new point of view 178 00:12:49,720 --> 00:12:52,840 and he's experiencing everything in a new unit of time. 179 00:12:52,920 --> 00:12:58,160 So for the audiences who have been watching the show for the last five years, 180 00:12:58,240 --> 00:13:00,800 or new audience members... 181 00:13:00,880 --> 00:13:05,240 The new ones get to relearn what's already happened in the past. 182 00:13:05,320 --> 00:13:07,230 Those who've been watching the show 183 00:13:07,320 --> 00:13:12,560 get to re-experience the show in a new light 184 00:13:12,640 --> 00:13:16,030 because of the enthusiasm of the character, 185 00:13:16,120 --> 00:13:19,000 and his interest in what's going on around him. 186 00:13:23,920 --> 00:13:28,040 If you watched "Summit" and "Last Stand", 187 00:13:28,120 --> 00:13:33,320 in "Summit" there are only three hallways that had to look like 20 different places 188 00:13:33,400 --> 00:13:36,200 that they needed to be walking around. 189 00:13:36,280 --> 00:13:40,070 At the same time, you've got Daniel and Yu walking around in these hallways, 190 00:13:40,160 --> 00:13:42,840 other System Lords are walking around the hallways. 191 00:13:43,400 --> 00:13:47,320 So the trick to doing it with a standing set, when you build a standing set, 192 00:13:47,400 --> 00:13:49,870 is to actually make it look twice as long. 193 00:13:50,280 --> 00:13:54,200 Sometimes they'll turn a corner and they're just coming in the other direction. 194 00:13:54,280 --> 00:13:56,430 "Enemies" was exactly the same thing, 195 00:13:56,520 --> 00:14:00,670 but in "Enemies" we had to make two different ships out of the same hallways. 196 00:14:00,760 --> 00:14:02,720 If you look at "Enemies", you'll find 197 00:14:02,800 --> 00:14:05,950 there's all these different hallways in two different ships. 198 00:14:06,040 --> 00:14:08,560 It's the same hallway. We just put braziers in it. 199 00:14:08,880 --> 00:14:15,750 Here, what I'm gonna do is, I'm going to take scene 1 48, the SGC corridor. 200 00:14:15,840 --> 00:14:20,280 I'm actually gonna take our long hallway and make it twice as long as it really is. 201 00:14:20,360 --> 00:14:22,670 I'll start them coming down this way. 202 00:14:23,480 --> 00:14:26,080 Carter on that side, McKay on that side. 203 00:14:26,160 --> 00:14:28,920 They'll walk all the way down to the end here. 204 00:14:32,720 --> 00:14:36,320 Once they get down here, they'll stop in this position. 205 00:14:36,400 --> 00:14:38,790 McKay here, and Carter here. 206 00:14:39,600 --> 00:14:43,390 The camera's here and has been with them the whole time. 207 00:14:43,480 --> 00:14:46,320 This will end up in an over, McKay to Carter. 208 00:14:46,400 --> 00:14:49,790 Now, when I turn around and shoot this direction right here, 209 00:14:49,920 --> 00:14:52,640 I'm actually not gonna do it right here. 210 00:14:52,720 --> 00:14:56,560 I will shoot the reverse... up at this end. 211 00:14:56,640 --> 00:15:01,320 So we've seen the hallway from this way looking back that way. 212 00:15:01,840 --> 00:15:04,750 Now we're gonna see it from this way looking back this way. 213 00:15:04,840 --> 00:15:07,120 So I will put Carter here and McKay here. 214 00:15:10,400 --> 00:15:14,950 And it'll look like our hallway is actually twice as long. 215 00:15:15,280 --> 00:15:20,040 What's interesting about this show is that we're using exactly the same room 216 00:15:21,040 --> 00:15:23,320 for three different things in a row. 217 00:15:23,400 --> 00:15:27,870 I'm going from the gymnasium, where they're having the boxing match, 218 00:15:27,960 --> 00:15:31,320 into the cafeteria, and it is exactly the same room. 219 00:15:31,400 --> 00:15:34,870 Then, immediately right after that, we go out into the hall, 220 00:15:34,960 --> 00:15:38,920 and we see Bra'tac coming through that room again - 221 00:15:39,000 --> 00:15:43,040 the utility room will just be turned into an addendum to the gate room. 222 00:15:43,120 --> 00:15:46,590 All three of those scenes are back-to-back in this, which is neat 223 00:15:46,680 --> 00:15:51,150 because you'll see the way that we do this. 224 00:15:56,000 --> 00:15:59,150 Hey, first team! Come on, let's go. 225 00:16:01,240 --> 00:16:03,230 We're waiting for Tony. 226 00:16:03,320 --> 00:16:04,680 (laughter) 227 00:16:04,760 --> 00:16:08,040 This is one of the more dangerous shots that we've done today. 228 00:16:08,120 --> 00:16:09,600 Not! 229 00:16:10,800 --> 00:16:13,360 And... camera! 230 00:16:14,000 --> 00:16:16,390 Action! 231 00:16:26,040 --> 00:16:28,680 This is Dan Shea. He's gonna do something amazing with you. 232 00:16:28,760 --> 00:16:30,800 Some intricate fight choreography. 233 00:16:31,760 --> 00:16:34,230 When you do your cool little thing, 234 00:16:34,320 --> 00:16:35,880 spin it 10,000 times, 235 00:16:35,960 --> 00:16:39,000 then you're shooting off in here somewhere. 236 00:16:39,080 --> 00:16:41,070 He turns, fires it that way. 237 00:16:41,160 --> 00:16:43,600 You turn and go that way. 238 00:16:44,000 --> 00:16:48,390 So I start it here, right? He wants an underhand softball thing... whoa! 239 00:16:48,480 --> 00:16:53,030 Then shoot back in the same direction and get the second guy, and that's it. 240 00:17:17,040 --> 00:17:18,760 We must move! 241 00:17:23,560 --> 00:17:26,470 It was great to see Neil Denis, who plays Rayac. 242 00:17:26,560 --> 00:17:31,320 I haven't seen him for a couple of years. He was a boy, now he's a young man. 243 00:17:31,400 --> 00:17:35,360 I thought it would be interesting that that was paralleled in the script. 244 00:17:35,440 --> 00:17:40,440 It was interesting for me to relate to him, not only as a character on the show, 245 00:17:40,520 --> 00:17:42,240 but also as a person. 246 00:17:42,320 --> 00:17:48,080 I think that made a lot of the scenes really work 247 00:17:48,160 --> 00:17:51,790 because of the different dynamic of our interpersonal relationship. 248 00:17:51,880 --> 00:17:56,750 We've always had this idea about revisiting Teal'c and his son 249 00:17:56,840 --> 00:17:59,230 and his wife, and what's been going on with that. 250 00:17:59,400 --> 00:18:03,080 I thought that that whole "destroying the weapons" subplot 251 00:18:03,160 --> 00:18:09,160 would be a nice backdrop for Rayac's "coming of age as a warrior" story. 252 00:18:09,240 --> 00:18:16,080 And also Rayac trying to prove to Teal'c that he can be a strong warrior, 253 00:18:16,160 --> 00:18:20,160 redeem himself in the eyes of his father, because he feels guilty 254 00:18:20,240 --> 00:18:24,790 and somehow responsible for the events that took place during "Bloodlines", 255 00:18:24,880 --> 00:18:28,080 in which he was brainwashed by Apophis. 256 00:18:28,160 --> 00:18:32,000 I thought there was an opportunity for a great scene, in which I think 257 00:18:32,080 --> 00:18:38,190 Chris Judge does some of the best acting I've seen him do in the series. 258 00:18:38,280 --> 00:18:41,350 He explains to Rayac that he had the same thing happen to him. 259 00:18:41,920 --> 00:18:45,680 Whether you believe in me or what I have chosen to do 260 00:18:45,760 --> 00:18:49,990 does not change the fact that I have never doubted your heart, Rayac. 261 00:18:52,800 --> 00:18:55,240 You need never win back my trust, my son, 262 00:18:55,320 --> 00:18:57,630 for you have never lost it. 263 00:19:15,600 --> 00:19:18,910 What do you think the high points of this show are? 264 00:19:19,000 --> 00:19:22,520 When Carter and O'Neill are flying in the X302. 265 00:19:29,680 --> 00:19:33,680 - That's the coolest part? - That bit where they're flying around. 266 00:19:33,760 --> 00:19:37,760 The 302 itself and all the visual effects that go around, 267 00:19:37,840 --> 00:19:42,070 the cockpit stuff and trying to save the planet. 268 00:19:42,200 --> 00:19:45,830 I think they're spending a lot more time and money on visual effects. 269 00:19:45,960 --> 00:19:48,320 There are more of them and they're bigger. 270 00:19:48,400 --> 00:19:51,520 And I think they look much cooler than they used to. 271 00:19:58,840 --> 00:20:02,120 - SG-1, you have a go. - Thank you, sir. 272 00:20:02,720 --> 00:20:06,800 Big crane move for the very end of the whole movie here. 273 00:20:11,320 --> 00:20:13,840 They won't stop there, guys, so just keep moving. 274 00:20:29,120 --> 00:20:31,110 ENHOH