1 00:00:18,127 --> 00:00:19,401 Roll, please! 2 00:00:19,487 --> 00:00:21,284 And... ring-ring. 3 00:00:22,647 --> 00:00:24,046 Hello. 4 00:00:24,127 --> 00:00:26,561 ls this Major Samantha Carter? 5 00:00:27,127 --> 00:00:30,199 - Who is this? - My name is Richard Flemming. 6 00:00:30,407 --> 00:00:33,797 The project was never shut down, Major, and now it's out of control. 7 00:00:33,887 --> 00:00:37,038 - What project? - You have to protect me. They know l... 8 00:00:37,127 --> 00:00:38,958 (director imitates brakes screeching) 9 00:00:39,047 --> 00:00:41,242 Hello? Hello? 10 00:00:41,807 --> 00:00:43,798 Hello/ 11 00:00:50,727 --> 00:00:53,082 - How was that? - lt was good. Was it good for you? 12 00:00:53,167 --> 00:00:54,725 Yeah. (snores) 13 00:00:54,807 --> 00:00:56,559 (director laughs) 14 00:00:57,487 --> 00:00:59,921 lt's pretty sparse. lt's pretty Carter. 15 00:01:00,007 --> 00:01:01,998 Minimalist. 16 00:01:02,887 --> 00:01:04,843 - ls it working for you? - lt is. 17 00:01:04,927 --> 00:01:09,842 She fills the room with the fantasies in her head. She doesn't need much stuff. 18 00:01:09,927 --> 00:01:12,919 She's got a very rich fantasy life. 19 00:01:13,487 --> 00:01:16,479 This is Vince. He's playing the part of our deputy. 20 00:01:16,567 --> 00:01:20,560 You have a very interesting role. You play not just one kind of character. 21 00:01:20,647 --> 00:01:25,118 You play a character that's undercover, that is infected, so you end up to be... 22 00:01:25,207 --> 00:01:27,960 - Three characters. Dave, the deputy. - Three levels. 23 00:01:28,287 --> 00:01:30,562 Hi. Can l help you? 24 00:01:30,647 --> 00:01:31,841 Agent Cross. 25 00:01:32,647 --> 00:01:35,115 l'm Agent Cross. That's Agent Singer. 26 00:01:35,887 --> 00:01:36,763 NlD. 27 00:01:36,847 --> 00:01:38,485 And... 28 00:01:38,567 --> 00:01:41,001 A Goa'uld who shall remain nameless. 29 00:01:44,687 --> 00:01:48,282 Welcome, brother. You know where you are? 30 00:01:49,327 --> 00:01:51,158 l have the memories of my host. 31 00:01:51,247 --> 00:01:53,317 - Three levels of reality. - Yeah. 32 00:01:53,407 --> 00:01:55,204 Two agendas. 33 00:01:55,287 --> 00:01:58,757 Three levels of reality, two agendas. ls that unusual for Stargate? 34 00:02:06,847 --> 00:02:09,884 This town certainly does get quiet at night. 35 00:02:09,967 --> 00:02:13,755 This is a sign... ''Crusty Bill's''. 36 00:02:15,007 --> 00:02:19,159 Made in a likeness of our first AD, Bill Mizel, 37 00:02:19,247 --> 00:02:24,037 who may or may not even realise that this is an homage to him. 38 00:02:27,167 --> 00:02:29,601 Who? 39 00:02:29,687 --> 00:02:30,881 You don't know? 40 00:02:33,087 --> 00:02:36,762 You may or may not recognise Kenny from ''Wormhole X-Treme.'' 41 00:02:36,847 --> 00:02:39,077 He used to have a head of yellow hair, 42 00:02:40,087 --> 00:02:44,205 but he has been shaved and we're making a sweater. 43 00:02:44,927 --> 00:02:48,158 Kenny, run, you underpaid, below-the-line freak! 44 00:02:48,247 --> 00:02:49,839 - Billy, roll right now! - Roll! 45 00:02:49,927 --> 00:02:51,997 Speed! Speeding! 46 00:02:52,087 --> 00:02:54,965 Kenny, l love you, but you're not in this scene! 47 00:02:55,047 --> 00:02:58,881 This is David, our property master who played our first AD on the show. 48 00:02:58,967 --> 00:03:01,197 He's an actor and he's multitalented. 49 00:03:01,287 --> 00:03:03,118 And l'm taller. 50 00:03:04,287 --> 00:03:06,642 l said, aliens off the set! 51 00:03:14,407 --> 00:03:16,602 - What is this? - Get in the van. 52 00:03:25,607 --> 00:03:34,163 This is a process originally invented for poor filmmakers 53 00:03:34,247 --> 00:03:37,319 who couldn't afford actually towing cars. 54 00:03:37,407 --> 00:03:41,002 What we've done is added the time-honoured tradition, 55 00:03:41,087 --> 00:03:47,925 the Hitchcock tradition, of the rear-screen projection. 56 00:03:48,007 --> 00:03:50,362 There's a projector behind the screen. 57 00:03:50,447 --> 00:03:53,484 When it's turned on, the street will begin to come at us. 58 00:03:57,007 --> 00:04:02,286 This light is passed overhead, over the van, 59 00:04:02,407 --> 00:04:06,798 past the thing, and it gives the illusion of passing street lights. 60 00:04:06,887 --> 00:04:10,402 So we've got the shaking of the car with this giant beam. 61 00:04:10,647 --> 00:04:15,163 - So you know what's going on here? - We've monitored it for three months. 62 00:04:15,527 --> 00:04:21,318 Then we are filming through the front here, 63 00:04:22,687 --> 00:04:25,565 through the front windshield onto our actors, 64 00:04:25,647 --> 00:04:32,120 where we will see the illusion of the street passing by. 65 00:04:36,487 --> 00:04:39,524 This is a really fun, old, spooky place. 66 00:04:39,607 --> 00:04:42,838 lt's got mud and rotting pilings. 67 00:04:44,447 --> 00:04:47,041 You see over here the great rotting pilings. 68 00:04:47,127 --> 00:04:50,802 lt's low tide right now and the stench is unbearable. 69 00:04:57,767 --> 00:05:03,558 This is day seven of the episode entitled ''Nightwalkers''. 70 00:05:03,647 --> 00:05:06,241 We find ourselves at the Britannia Shipyards. 71 00:05:06,327 --> 00:05:12,596 This is a beautiful old ship-repairing place. 72 00:05:12,687 --> 00:05:15,759 There are giant ships, as you can see. 73 00:05:15,847 --> 00:05:17,963 There's one ship there. 74 00:05:18,047 --> 00:05:20,436 You have another huge ship there. 75 00:05:20,527 --> 00:05:22,995 And this is an old rumrunner. 76 00:05:23,087 --> 00:05:27,478 During Prohibition, it used to run rum 77 00:05:27,567 --> 00:05:32,482 from Canada down to Los Angeles and San Diego. 78 00:05:33,327 --> 00:05:35,318 And it was quite fast. 79 00:05:35,967 --> 00:05:39,403 This is where the aliens are building their alien spaceship. 80 00:05:45,327 --> 00:05:47,318 (whistles) 81 00:06:02,847 --> 00:06:06,396 - You have to do something. - We've a containment team on stand-by. 82 00:06:06,487 --> 00:06:09,604 We can have this town quarantined in 45 minutes. 83 00:06:09,687 --> 00:06:11,245 Then do so. 84 00:06:11,327 --> 00:06:13,318 This is gonna be a great shot. 85 00:06:27,447 --> 00:06:31,326 Move it, monkeys, move it! Go down the street! Go, go, go! 86 00:06:31,407 --> 00:06:32,920 This is a low wide-angle shot. 87 00:06:33,007 --> 00:06:37,319 We're looking right up into the bowels of the truck. 88 00:06:37,407 --> 00:06:42,322 l'm shooting a slightly tighter shot of feet coming out of the back of the truck. 89 00:06:42,807 --> 00:06:45,924 (assistant) OK, boys. Here we go. Don't hurt yourselves. 90 00:06:46,007 --> 00:06:48,760 Very selective focus. Quite artsy. 91 00:06:49,047 --> 00:06:53,916 So that's B-camera, the artsy tight shot of feet. 92 00:06:54,007 --> 00:06:57,886 This is A-camera, the super-wide low shot. 93 00:06:57,967 --> 00:06:59,844 And... action! 94 00:07:22,767 --> 00:07:24,678 And... action! 95 00:07:32,687 --> 00:07:34,837 Sheriff. 96 00:07:34,927 --> 00:07:36,724 Girl. 97 00:07:36,807 --> 00:07:38,798 Guys. 98 00:07:40,887 --> 00:07:41,876 And cut. 99 00:07:42,647 --> 00:07:44,683 The humans have no idea what's going on here. 100 00:07:44,767 --> 00:07:46,883 Oh, l wouldn't exactly say that. 101 00:07:55,247 --> 00:07:58,444 You guys aren't nearly as smart as you think you are.