1
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(DeLuise) OK, this is day three
of the episode entitled ''Shadow Play''.

2
00:00:24,927 --> 00:00:27,157
We're on stage 6.

3
00:00:27,247 --> 00:00:32,480
This is the familiar mothership hallway.
There are the glass doors.

4
00:00:32,567 --> 00:00:38,358
And in just one small episode
this giant, giant room,

5
00:00:38,447 --> 00:00:43,202
where once there stood
in this corner a police station,

6
00:00:43,287 --> 00:00:48,725
is now the giant Kelownan meeting room

7
00:00:48,807 --> 00:00:52,163
for the leaders of that country.

8
00:00:55,247 --> 00:00:57,886
And... action.

9
00:00:57,967 --> 00:01:00,720
The Tiranian central forces
are located here.

10
00:01:00,807 --> 00:01:04,482
We'll move the Third Division
and the reserves to this point.

11
00:01:04,567 --> 00:01:07,479
- How long can we resist?
- (Jonas) First Minister?.

12
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And cut.

13
00:01:09,967 --> 00:01:17,442
Here is a map that you'll see in the show.
They're poring over this map.

14
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The purple area is the enemy.

15
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And the green area,
if you look very closely,

16
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is the top part of ltaly that's been flopped.

17
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lt's been turned over like that.

18
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There's the top of the boot
you might recognise.

19
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And there's the national symbol.

20
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And then down here is some crazy writing
that you also may recognise that is Celtic.

21
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This is a giant window
that leads to these crazy, cool things,

22
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which are the silhouettes of buildings.

23
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And on the back side, the wiring.

24
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When lit up, these individual lights
will make it look like

25
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little windows, all over the city, are on.

26
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lt's difficult for me, Jonas,
seeing you sitting across the table,

27
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acting as the representative
of another planet.

28
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lt's not easy for me either.

29
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But l made my choices
and l'm gonna stick by them.

30
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There are the elusive yet crazy monitors.

31
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Various security loops of hallways.

32
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And this is the idle screen.

33
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And this is the idle stand-in.

34
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No, no, no. The tape-ball boy to the stars.

35
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You line the tape ball up like that...

36
00:03:05,047 --> 00:03:07,800
and then... launch it.

37
00:03:13,247 --> 00:03:16,842
- l'll take my call sheet now.
- Here's your call sheet.

38
00:03:17,887 --> 00:03:24,918
Oh, my goodness. Look at all this work
we have tomorrow. This is Tuesday.

39
00:03:25,327 --> 00:03:28,956
And we're pacing, and we're agitated.

40
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Action!

41
00:03:31,287 --> 00:03:34,165
- Who is it?
- (Jonas) Professor, it's me.

42
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Oh, man. Am l getting sick of this.

43
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- ls something wrong?
- Uh... lt's Tomis.

44
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Tomis Leed. He's another one of the
scientists on the naquadria project.

45
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He was transferred overnight.
They won't say where he went.

46
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The negotiations are going nowhere,
you're not helping us

47
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and your organisation
is about to be exposed.

48
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Wait.

49
00:04:02,407 --> 00:04:04,398
(man) OK, mind your marks.

50
00:04:06,087 --> 00:04:08,282
We're making our move in two days.

51
00:04:09,207 --> 00:04:10,765
What are you proposing?

52
00:04:10,847 --> 00:04:14,681
We're in a position to take every
major government building except one.

53
00:04:14,767 --> 00:04:18,123
This one. lt's their most
heavily armed... guarded facility.

54
00:04:18,207 --> 00:04:22,041
- Because of the Stargate.
- But you can come and go as you please.

55
00:04:22,127 --> 00:04:25,403
You could get a hundred armed men
in here before anyone knew.

56
00:04:25,487 --> 00:04:28,445
You could take the building
from the inside.

57
00:04:28,527 --> 00:04:32,076
- Not a chance.
- Think about it.

58
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lf this coup's to succeed, it has to be
quick and as bloodless as possible.

59
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lf we try to take the building ourselves
we'll get caught in a firefight.

60
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- lt could dissolve into a civil war.
- Not my problem.

61
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(man) The slow-moving fan.

62
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That's a cool background.

63
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Do people use slow-moving fans?

64
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All the time. You see them on the ceilings
of restaurants. They're to circulate the air.

65
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This one is keeping the dust level down.

66
00:04:59,847 --> 00:05:02,600
We need you to take us
to this... Resistance.

67
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lt's not that simple. l don't get in touch
with them, they get in touch with me.

68
00:05:08,487 --> 00:05:10,762
Where do you meet them?

69
00:05:10,847 --> 00:05:16,444
They have a base in an old warehouse
by the freight yards. lt's heavily guarded.

70
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Take us there.

71
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(machinery whirring)

72
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lt's very noisy. lt's hard to communicate.

73
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lt's a very difficult situation
to be filming with this kind of noise.

74
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Can you hear me?

75
00:05:41,887 --> 00:05:44,481
Look how brave Dean Stockwell is.

76
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And... action!

77
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Professor!

78
00:06:03,047 --> 00:06:05,038
Cut!

79
00:06:08,007 --> 00:06:09,406
Good.

80
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We're gonna do a pickup.

81
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Bring Dean down.
He's gonna go from the gate.

82
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Shoot the professor.
He's already at the gate.

83
00:06:42,567 --> 00:06:45,035
- Jonas/
- Professor/

84
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- What does this mean?
- (woman) 31 Anderson, take one.

85
00:06:56,367 --> 00:07:00,838
Yeah. So this is
the second angle in scene 31?

86
00:07:00,927 --> 00:07:03,521
- 31 being first, 31 Apple being second?
- Correct.

87
00:07:03,607 --> 00:07:05,404
- Baker being the third?
- Yes.

88
00:07:05,487 --> 00:07:07,796
- lt's take one of this angle?
- Correct.

89
00:07:07,887 --> 00:07:09,923
Thanks for explaining that.

90
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Action.

91
00:07:12,247 --> 00:07:16,638
- What exactly are the Kelownans saying?
- Not much.

92
00:07:16,727 --> 00:07:19,719
They claim to have no knowledge
of how he was injured.

93
00:07:19,807 --> 00:07:22,321
He feared he was under threat
from the government.

94
00:07:22,407 --> 00:07:26,798
But if they suspected he was a rebel spy
they'd never have let us bring him here.

95
00:07:26,887 --> 00:07:31,039
His own people may have tried... His own
people may have taken him out... What?

96
00:07:31,127 --> 00:07:33,880
(woman) lf they thought
he was compromised.

97
00:07:36,727 --> 00:07:41,118
His own people may have tried to take him
out once they... Forget it. Let's keep going.

98
00:07:41,207 --> 00:07:44,961
His own people may have felt
he'd been compromised.

99
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The question is, what do we do now?
Do we go back to the table?

100
00:07:49,687 --> 00:07:51,678
- What table?
- (laughter)

101
00:07:53,887 --> 00:07:55,878
There's a table?

102
00:07:56,647 --> 00:07:58,638
And cut.

103
00:08:00,727 --> 00:08:03,924
This is the best behind-the-scenes
l've ever shot.

104
00:08:06,607 --> 00:08:08,006
ENHOH