1 00:00:17,647 --> 00:00:20,525 This is day one of ''Metamorphosis''. 2 00:00:24,087 --> 00:00:26,078 Episode 16. 3 00:00:26,567 --> 00:00:31,436 And we're working out the first scene of ''Metamorphosis''. 4 00:00:32,847 --> 00:00:36,203 We have a shot of an elevator. 5 00:00:36,287 --> 00:00:40,758 Now, every morning - not a lot of people know this - 6 00:00:40,847 --> 00:00:44,317 Gisela hands us these little mini sides. 7 00:00:46,647 --> 00:00:50,606 This is how my morning starts every morning. What do you say? 8 00:00:50,687 --> 00:00:53,838 They have a small version of the call sheet. 9 00:00:53,927 --> 00:00:58,955 - These are called mini sides. - And they have the script pages inside. 10 00:00:59,047 --> 00:01:03,598 - What do you say to me every morning? - Morning. Do you have sides already? 11 00:01:03,687 --> 00:01:07,965 Thank you, Gisela, for these sides. For without them l would be lost. 12 00:01:08,047 --> 00:01:10,163 Like everybody else on the crew. 13 00:01:10,247 --> 00:01:16,356 Everybody gets a copy of these and it's basically what we're going to shoot. 14 00:01:16,447 --> 00:01:23,285 Here's the scene number, a brief description of what those things are. 15 00:01:23,367 --> 00:01:26,723 l can't seem to get... There. 16 00:01:26,807 --> 00:01:32,325 This is a mini copy of the call sheet, and then this is also quite helpful. 17 00:01:32,407 --> 00:01:35,763 The actual lines that they need to say. 18 00:01:35,847 --> 00:01:40,125 You'll see that as the elevator door opens: 19 00:01:40,207 --> 00:01:42,960 ''Carter walks up to the elevator and presses the button.'' 20 00:01:43,047 --> 00:01:47,325 ''ln a moment, the doors open, and she sees Jonas and an attractive nurse.'' 21 00:01:47,407 --> 00:01:49,477 That's what we're working on now. 22 00:01:49,567 --> 00:01:55,483 Lieutenant Rush, played by Jacquie Janzen, our female stand-in. 23 00:01:55,567 --> 00:01:58,957 Usually Amanda Tapping has a stand-in named Jacquie. 24 00:01:59,047 --> 00:02:05,077 And today she has a speaking part, playing the part of Lieutenant Rush for us. 25 00:02:05,167 --> 00:02:07,442 And... 26 00:02:07,527 --> 00:02:10,246 Ready, steady, action. 27 00:02:15,487 --> 00:02:17,842 l'm sure l'll see you again. 28 00:02:17,927 --> 00:02:20,600 Hey, with any luck l'll get sick. 29 00:02:25,447 --> 00:02:26,846 And cut. 30 00:02:26,927 --> 00:02:31,284 Hi, l'm Dan Shea, stunt coordinator for Stargate SG-1. 31 00:02:31,367 --> 00:02:33,801 We're setting up for a double ram shot. 32 00:02:33,887 --> 00:02:37,596 There's gonna be a Jaffa canon on top of a hill, 33 00:02:37,687 --> 00:02:43,922 and they're gonna shoot a huge fireball explosion at our guys. 34 00:02:44,007 --> 00:02:47,283 We're gonna have two stunt guys dressed in Jaffa armour, 35 00:02:47,367 --> 00:02:49,164 who are gonna be air-rammed. 36 00:02:49,247 --> 00:02:51,636 We're rehearsing to set up for the shot. 37 00:02:51,727 --> 00:02:54,878 We've got all our guys here helping to set up. 38 00:02:54,967 --> 00:02:59,279 We've got a ram legend in there. 39 00:02:59,367 --> 00:03:02,564 We have the two rams hid behind the wall. 40 00:03:06,927 --> 00:03:08,758 OK. Go ahead, Scott. 41 00:03:08,847 --> 00:03:15,719 When Peter calls action, there'll be a hot fireball explosion within those bricks. 42 00:03:15,807 --> 00:03:20,483 lt's really hot, so nobody should be any closer than Video Village. 43 00:03:20,567 --> 00:03:23,240 There'll be a lot of heat travelling. 44 00:03:23,327 --> 00:03:27,206 A possibility those bricks'll get launched cos they're just Styrofoam. 45 00:03:27,287 --> 00:03:30,245 So maybe they'll be on fire, maybe they won't. 46 00:03:30,327 --> 00:03:35,481 We have fire protection here. We'll have guys up the road with extinguishers. 47 00:03:35,567 --> 00:03:41,836 We'll have an extinguisher guy down here. Don't come any closer than Video Village. 48 00:03:41,927 --> 00:03:45,237 Let's move everybody back behind Video Village. 49 00:04:09,767 --> 00:04:14,158 Just a little bit to the right. lt's flopping around. 50 00:04:24,167 --> 00:04:26,761 OK. Here we go. 51 00:04:26,847 --> 00:04:28,838 Three, two, one. 52 00:04:36,647 --> 00:04:38,717 Everybody stay back. 53 00:04:47,167 --> 00:04:49,761 Here we go. Three, two, one. 54 00:04:55,487 --> 00:04:58,399 - Roll camera. - Sounds good. 55 00:05:00,767 --> 00:05:02,758 Three, two, one. 56 00:05:02,847 --> 00:05:04,838 Action! 57 00:05:09,687 --> 00:05:10,597 And cut. 58 00:05:27,367 --> 00:05:31,804 We're shooting through a piece of glass where a bullet is suspended. 59 00:05:31,887 --> 00:05:33,878 And Colonel O'Neill... 60 00:05:35,527 --> 00:05:38,405 He's telling your secrets, Jimmy. 61 00:05:39,967 --> 00:05:41,958 Basically... 62 00:05:44,767 --> 00:05:46,917 So basically, 63 00:05:47,007 --> 00:05:51,239 the outcome would be O'Neill's firing his weapon... 64 00:05:51,327 --> 00:05:55,286 There's the glass, there's the bullet and there's the camera. 65 00:05:55,367 --> 00:05:57,562 And the effect would be... 66 00:05:58,887 --> 00:06:01,481 Terry, do us a nice glass crack. 67 00:06:03,007 --> 00:06:06,283 - There's the bullet. - lt's genius. 68 00:06:08,527 --> 00:06:10,518 And action. 69 00:06:21,527 --> 00:06:22,926 (phone rings) 70 00:06:23,007 --> 00:06:25,396 - And cut. - l'll get it. 71 00:06:25,487 --> 00:06:31,005 l'm confiscating the camera. We've got a long day ahead. We gotta be done by 5.45. 72 00:06:31,087 --> 00:06:32,486 ENHOH