1
00:00:06,327 --> 00:00:10,639
Here we are. lt's ''Full Circle''
and we're back on Abydos.

2
00:00:16,167 --> 00:00:18,283
ls there nothing she can't do?

3
00:00:27,447 --> 00:00:30,723
- Hi.
- lt's Michael Shanks. Yay!

4
00:00:39,127 --> 00:00:40,606
Action, Michael.

5
00:00:40,687 --> 00:00:42,882
Jack?

6
00:00:44,007 --> 00:00:46,362
Hi, Jack.

7
00:00:46,447 --> 00:00:50,645
Abydos is in trouble.
Anubis is on his way.

8
00:00:50,727 --> 00:00:52,638
He's after the Eye of Ra.

9
00:00:52,727 --> 00:00:56,356
l have that replica Catherine gave me.
lt looks like this.

10
00:00:56,447 --> 00:01:00,156
The real one is in a secret chamber
in Ra's pyramid in Abydos

11
00:01:00,247 --> 00:01:04,081
- but l'm not sure where exactly.
- l was sure that was an aspirin l took.

12
00:01:04,167 --> 00:01:08,399
Jack, it's really me. You have to
find the Eye of Ra before Anubis.

13
00:01:08,487 --> 00:01:12,878
Keep it, hide it, destroy it, whatever.
We don't have much time.

14
00:01:13,927 --> 00:01:17,806
lt's odd talking to you
when you have this thing in your face.

15
00:01:17,887 --> 00:01:19,320
Martin?

16
00:01:24,367 --> 00:01:31,000
l know who you are, Daniel Jackson,
but you know not who l am.

17
00:01:32,567 --> 00:01:35,604
Now we're gonna talk to Anubis.

18
00:01:35,687 --> 00:01:39,157
- Hey, Anubis.
- My lord.

19
00:01:50,247 --> 00:01:56,322
He's green because we have to track it to
put in the black mask he normally wears.

20
00:01:58,007 --> 00:02:01,841
- You gonna kick his ass?
- lf l have to.

21
00:02:01,927 --> 00:02:05,840
- David, you were also who?
- Sokar.

22
00:02:05,927 --> 00:02:10,125
But, because we killed you and
liked you so much, we brought you back.

23
00:02:10,207 --> 00:02:11,799
And l'm grateful.

24
00:02:11,887 --> 00:02:15,323
You are indeed all-powerful, my lord.

25
00:02:15,647 --> 00:02:17,842
He's not scary. He's got a green face.

26
00:02:18,407 --> 00:02:20,204
Stop/

27
00:02:22,047 --> 00:02:24,845
Stop me if you can.

28
00:02:29,567 --> 00:02:31,956
(Martin) And lights go down.

29
00:02:40,527 --> 00:02:42,563
Strike me down.

30
00:02:42,647 --> 00:02:45,445
Do it now or l will destroy Abydos.

31
00:02:47,287 --> 00:02:50,882
(Martin) Burn. Zap.
Light goes down slowly.

32
00:02:56,527 --> 00:02:58,677
(Daniel groans) Don't do this/

33
00:03:03,327 --> 00:03:04,521
Cut.

34
00:03:11,607 --> 00:03:15,202
Here it is, 18 hours into it.

35
00:03:15,287 --> 00:03:17,517
We're in the second scene.

36
00:03:17,607 --> 00:03:20,485
We're about to blow a lot of crap up.

37
00:03:21,487 --> 00:03:25,844
l'm hoping that the people
who have been slowing us down...

38
00:03:25,927 --> 00:03:28,885
l can't say this on a DVD.

39
00:03:42,127 --> 00:03:46,803
We don't have more than one day here.
The sun will be down when l shoot this.

40
00:03:46,887 --> 00:03:50,084
Stand by and...

41
00:03:50,167 --> 00:03:51,202
background!

42
00:04:08,327 --> 00:04:12,366
O'Neill, we're under attack.
Ground forces have landed.

43
00:04:12,447 --> 00:04:14,915
We will not be able
to hold them off for long.

44
00:04:15,647 --> 00:04:18,559
- Roger. You heard him.
- l don't know what to say.

45
00:04:18,647 --> 00:04:23,846
- lf Dr Jackson was here...
- Oh, he's here. Trust me, he's here.

46
00:04:27,327 --> 00:04:29,318
Son of a bitch/

47
00:04:30,607 --> 00:04:33,201
Hey/ Where are ya?

48
00:04:34,607 --> 00:04:36,837
We're only doin' this because of you.

49
00:04:38,127 --> 00:04:40,402
lncredible 360.

50
00:04:40,487 --> 00:04:43,479
And he's going 720.

51
00:04:43,567 --> 00:04:46,206
- He might be going for the 1 440 record.
- Agh!

52
00:04:46,287 --> 00:04:48,960
All right. Good. That wasn't bad.

53
00:04:49,047 --> 00:04:51,277
lt didn't suck too badly, did it?

54
00:04:51,367 --> 00:04:54,086
And... action.

55
00:04:54,167 --> 00:04:56,158
Fall back/

56
00:04:58,327 --> 00:05:01,205
(Martin) Slow down, Chris. Slow down.

57
00:05:23,207 --> 00:05:26,995
OK. Print one only on that.
Let's move on.

58
00:05:34,567 --> 00:05:37,320
We're taking a break from storyboarding

59
00:05:37,407 --> 00:05:41,320
to look at a test explosion
for blowing up the pyramid.

60
00:05:41,407 --> 00:05:44,285
We're using a model
to blow the pyramid up,

61
00:05:44,367 --> 00:05:48,883
so we come out here
to check it and see if it'll work.

62
00:05:48,967 --> 00:05:50,878
Let's hope it works.

63
00:05:54,367 --> 00:05:57,359
We're after an explosion
of biblical proportions.

64
00:06:01,767 --> 00:06:06,887
We're here with Wray Douglas, our
special-effects coordinator on Stargate.

65
00:06:06,967 --> 00:06:10,960
Behind him is James Tichenor,
visual-effects producer.

66
00:06:11,047 --> 00:06:12,719
What's going on today?

67
00:06:12,807 --> 00:06:17,085
We've spent the last week loading
Ping-Pong balls with match heads.

68
00:06:17,167 --> 00:06:21,524
We've strategically placed them
around the pyramid.

69
00:06:21,607 --> 00:06:27,000
There's a quarter that we're gonna throw
at the Ping-Pong balls to ignite it.

70
00:06:27,087 --> 00:06:30,921
l think it'll produce a flame ball
which might blow up the pyramid.

71
00:06:31,007 --> 00:06:33,282
That's what l'm hoping for.

72
00:06:35,207 --> 00:06:42,397
This is the Ned Kelly crash box, designed
to protect cameras from the explosions.

73
00:06:42,487 --> 00:06:45,684
There's still a top piece to go on this.

74
00:07:08,367 --> 00:07:11,404
The aftermath. Well, Wray?

75
00:07:11,487 --> 00:07:15,844
- Everything you expected?
- Yup. That's exactly what l expected.

76
00:07:15,927 --> 00:07:18,316
The Ping-Pong balls worked.

77
00:07:18,407 --> 00:07:20,796
(Martin laughs)

78
00:07:20,887 --> 00:07:23,481
And... action.

79
00:07:34,487 --> 00:07:36,478
Look. An active gate.

80
00:07:44,207 --> 00:07:47,119
This is how the colour gets made.

81
00:07:47,207 --> 00:07:49,596
A shiny piece of nylon.

82
00:07:50,967 --> 00:07:55,836
- This is the shimmerer.
- Here it is. Have a look. Every day.

83
00:07:56,807 --> 00:08:03,326
Good living right here. Good living.
lt doesn't get any better than this.

84
00:08:03,407 --> 00:08:05,398
We call him Mr Puddle.

85
00:08:10,447 --> 00:08:16,477
The storyboard process takes place
partly in the boardroom with the artist,

86
00:08:16,567 --> 00:08:19,445
partly in my head, partly in James's head.

87
00:08:19,527 --> 00:08:22,405
Once the storyboards
have been roughed in,

88
00:08:22,487 --> 00:08:27,880
the sketch artist spends overnight
or two nights and finishes them for us

89
00:08:27,967 --> 00:08:30,606
so that we can decipher
what they mean.

90
00:08:30,687 --> 00:08:35,397
Those then go to set occasionally. l give
them to people like Michael Greenburg,

91
00:08:35,487 --> 00:08:38,718
who will need to look at them
just to see what l'm doing

92
00:08:38,807 --> 00:08:43,278
cos most people
can't follow what l'm doing on set.

93
00:08:43,367 --> 00:08:47,758
What l'm gonna do now is show you the
rough sketches, then the finished ones,

94
00:08:47,847 --> 00:08:50,919
then you can look at the finished scene

95
00:08:51,007 --> 00:08:56,798
and see how closely they actually came
to what was originally in our brains.

96
00:09:02,607 --> 00:09:05,201
This is the soccer shot.

97
00:09:06,087 --> 00:09:08,282
ln the Abydonian village.

98
00:09:09,327 --> 00:09:13,718
You won't recognise this from the feature
because this village never existed.

99
00:09:13,807 --> 00:09:18,323
You'll notice that the kids are there.
Again, important in a rough sketch.

100
00:09:27,847 --> 00:09:33,956
We follow them down to the village
and they find some people in the village.

101
00:09:34,047 --> 00:09:36,845
lt's important to see these kids
playing ball.

102
00:09:41,567 --> 00:09:44,365
l guess everybody's all right.

103
00:09:49,487 --> 00:09:55,960
A close-up of them all looking around,
seeing the village exists again.

104
00:09:59,127 --> 00:10:00,924
Then Skaara comes in.

105
00:10:13,847 --> 00:10:16,919
What's goin' on here?

106
00:10:17,007 --> 00:10:19,202
And tight on Skaara.

107
00:10:19,967 --> 00:10:24,040
Anubis destroyed the pyramid.
Everyone was killed in the blast.

108
00:10:24,607 --> 00:10:27,360
- What's my line?
- ''They don't look dead to me.''

109
00:10:27,447 --> 00:10:30,086
As a matter of fact, you don't either.

110
00:10:30,167 --> 00:10:34,957
Death is only the beginning
of our journey.

111
00:10:35,047 --> 00:10:36,446
That sounds familiar.

112
00:10:36,527 --> 00:10:41,521
ln the final sketches
the shot continues, the ball comes in.

113
00:10:41,607 --> 00:10:45,156
Do not fear. You will find your way.

114
00:10:47,847 --> 00:10:49,405
O'Neill tilts down.

115
00:10:50,567 --> 00:10:53,843
Why? What do you mean?

116
00:10:53,927 --> 00:10:56,839
Stands up. Hey, the village is gone.

117
00:10:58,847 --> 00:11:00,838
What do you mean by that?

118
00:11:05,767 --> 00:11:07,405
ls this yours?

119
00:11:10,327 --> 00:11:13,922
The Chaapa-ai will remain until you leave.

120
00:11:14,807 --> 00:11:17,196
They spin around
and look at the Chaapa-ai.

121
00:11:18,647 --> 00:11:23,277
Turn back and he's gone.

122
00:11:27,647 --> 00:11:29,638
Let's go home.

123
00:11:32,647 --> 00:11:37,437
And they walk off into the sunset
in a big wide shot.

124
00:11:43,367 --> 00:11:45,358
Ever the filmmaker.

125
00:11:47,327 --> 00:11:49,318
ENHOH