1 00:00:00,767 --> 00:00:04,521 - What are you doing? - Waiting for Chris Judge to have a seat. 2 00:00:04,607 --> 00:00:06,598 Oh, boy. 3 00:00:08,967 --> 00:00:11,162 We should have bounced up. 4 00:00:13,927 --> 00:00:16,316 You've got your arm all by me! 5 00:00:18,607 --> 00:00:21,440 - OK. So... - Are your pants undone? 6 00:00:23,447 --> 00:00:26,245 - Teal'c, Carter... - Those aren't my pants. 7 00:00:26,327 --> 00:00:29,763 Michael Jackson. OK. Here we go. 8 00:00:29,847 --> 00:00:34,318 - So let's talk about ''Revisions.'' - Which one's that? 9 00:00:35,447 --> 00:00:38,837 They're shooting three shows consecutively. 10 00:00:39,047 --> 00:00:41,003 - Consecutively? - Concurrently. 11 00:00:41,087 --> 00:00:44,079 - Simultaneously. - Simultaneously. 12 00:00:44,167 --> 00:00:46,556 Concoctly. 13 00:00:46,647 --> 00:00:49,559 That one won't go on the DVD. 14 00:00:57,847 --> 00:01:00,919 Let me get an idea from each of you: when you read ''Revisions'', 15 00:01:01,007 --> 00:01:04,477 what struck you differently from any other Stargate episode? 16 00:01:04,567 --> 00:01:06,637 You're assuming we've read it. 17 00:01:06,727 --> 00:01:09,116 Did he say ''When we read it''? 18 00:01:09,207 --> 00:01:13,280 When you read it, you go ''This is just this story.'' That's all we have to focus on. 19 00:01:13,367 --> 00:01:16,803 There's no backtracking that the audience or us have to do. 20 00:01:16,887 --> 00:01:20,197 l like it because it's not tied into any other mythology. 21 00:01:20,287 --> 00:01:24,758 - lt's a succinct, single episode. - (whispers) Stand-alone. 22 00:01:24,847 --> 00:01:26,678 l think he's talking to you. 23 00:01:27,207 --> 00:01:30,279 We got these images two hours ago after the MALP went through. 24 00:01:30,367 --> 00:01:34,918 The dome seems to be the only thing that withstood the effects of the atmosphere. 25 00:01:37,687 --> 00:01:41,839 The misty landscape, this is where it comes from. 26 00:01:41,927 --> 00:01:44,157 This is the smoke master himself - Scotty. 27 00:01:44,247 --> 00:01:46,317 l still got one good lung. 28 00:02:03,607 --> 00:02:05,598 Come on out. 29 00:02:12,367 --> 00:02:18,124 lt has no links to anything else. lt must be good to be finally departing from Anubis. 30 00:02:18,207 --> 00:02:22,405 When you know they're stand-alones, do you do anything different? 31 00:02:22,487 --> 00:02:26,241 l always have problems with the arcs of shows that take eight arcs, 32 00:02:26,327 --> 00:02:28,283 and they're constantly referred to. 33 00:02:28,367 --> 00:02:32,645 Because, truly, in the quick amount of time that l learn something, 34 00:02:32,727 --> 00:02:35,764 that's usually the amount of time it takes me to forget it. 35 00:02:35,847 --> 00:02:41,922 So l'm constantly going to these two: ''When we said this, what episode...?'' 36 00:02:42,007 --> 00:02:47,206 - ''What happens in this scene?'' - That's me. ''Why are you saying that?'' 37 00:02:47,287 --> 00:02:53,237 So, for me, the stand-alones are easy cos l can't remember five episodes ago. 38 00:02:53,327 --> 00:02:59,243 lt's easy for Richard too. He doesn't have to remember recurring characters' names. 39 00:02:59,327 --> 00:03:00,282 Ow. 40 00:03:00,367 --> 00:03:03,086 Go about ten feet out, stop and talk there. 41 00:03:03,167 --> 00:03:04,919 20 feet out, and stop. 42 00:03:05,007 --> 00:03:06,645 - Set? - Set. 43 00:03:06,727 --> 00:03:08,797 And... music. 44 00:03:08,887 --> 00:03:11,526 - (whistling) - Camera. 45 00:03:11,607 --> 00:03:15,725 Bong! Bong! Bong! 46 00:03:15,807 --> 00:03:18,275 Bong! Bong! 47 00:03:18,367 --> 00:03:19,959 Background! 48 00:03:28,287 --> 00:03:30,482 (whistling and birdsong) 49 00:03:35,247 --> 00:03:37,477 And cut! Very nice. 50 00:03:37,567 --> 00:03:38,966 Sure. 51 00:03:39,047 --> 00:03:41,720 Yeah, very nice. l like that a lot. 52 00:03:41,807 --> 00:03:46,597 Then, on ''action'', Liam, you're gonna go: (heavy breathing) 53 00:03:49,127 --> 00:03:51,880 - Can l have an eye pillow? - (laughter) 54 00:03:52,567 --> 00:03:56,446 Liam, you can't move your head from the spot he sets it at, OK? 55 00:03:56,527 --> 00:03:58,165 - OK? - Thank you. 56 00:03:58,247 --> 00:04:04,083 So you're coming up on ''That's not a toy.'' Or are you coming up on ''Take it off''? 57 00:04:04,167 --> 00:04:06,158 OK. Let's shoot. 58 00:04:07,127 --> 00:04:09,118 Action! 59 00:04:09,647 --> 00:04:11,524 Hello, Nevin. 60 00:04:11,887 --> 00:04:15,436 l'm not Nevin. l'm Colonel O'Neill from Stargate Command. 61 00:04:15,527 --> 00:04:18,485 All right, Colonel. 62 00:04:18,567 --> 00:04:21,240 Will you please take off my hood? 63 00:04:24,847 --> 00:04:28,681 Nevin, time for school. Go to your room and access your lessons. 64 00:04:28,767 --> 00:04:33,363 - When l grow up, can l be an explorer? - We'll talk about it later. 65 00:04:34,407 --> 00:04:38,195 lt is true that stand-alone episodes like this are much simpler 66 00:04:38,287 --> 00:04:40,278 because you can just be in the moment 67 00:04:40,407 --> 00:04:45,435 as opposed to having gratuitous ''Hey, remember when'' exposition, 68 00:04:45,527 --> 00:04:50,237 ''Previously on Stargate SG-1'', during the course of the episode that happens. 69 00:04:50,327 --> 00:04:55,276 - To bring people up to speed. - So an audience member can walk into it. 70 00:04:55,367 --> 00:04:58,996 There tends to be a lot more character work in a stand-alone episode. 71 00:04:59,087 --> 00:05:03,319 lt's more about this episode as opposed to what happened in season four. 72 00:05:03,407 --> 00:05:05,398 All the running arcs we have. 73 00:05:05,487 --> 00:05:08,923 And how will this further impact later in the season. 74 00:05:09,007 --> 00:05:12,363 We are costing the ''Previously on Stargate'' guy money. 75 00:05:12,447 --> 00:05:15,405 Yeah. Aren't you the ''Previously on Stargate'' guy? 76 00:05:15,487 --> 00:05:19,765 No. l actually asked to be paid for that, so l was quickly removed. 77 00:05:19,847 --> 00:05:22,236 Previously on... Or Peter DeLuise: 78 00:05:22,327 --> 00:05:24,795 ''Previously on Stargate SG-1.'' 79 00:05:24,887 --> 00:05:27,242 Everybody, make yourself safe behind camera. 80 00:05:27,327 --> 00:05:32,321 Nobody behind the MALP. Chris is probably gonna run into someone. Action! 81 00:05:35,247 --> 00:05:36,999 You think this'll work? 82 00:05:37,087 --> 00:05:40,443 The signal was lost only when the transmitter crossed the barrier. 83 00:05:40,527 --> 00:05:43,439 We need only manoeuvre the MALP into the correct position. 84 00:05:43,527 --> 00:05:45,518 lt's gonna get ugly. 85 00:05:48,367 --> 00:05:50,358 Stop! 86 00:05:50,567 --> 00:05:52,159 Whoa, stop! 87 00:05:56,647 --> 00:05:57,841 Nice. 88 00:05:57,927 --> 00:06:01,078 Wait a few beats, then Rick starts talking, into the camera. 89 00:06:01,167 --> 00:06:04,557 General, we read you, loud and clear. 90 00:06:04,647 --> 00:06:05,875 Loud and clear. 91 00:06:05,967 --> 00:06:11,724 So far the natives are very friendly, if a bit odd, if you know what l mean. 92 00:06:12,127 --> 00:06:16,245 - (woman) Make it good, Alex. - One more light, then we'll shoot. 93 00:06:16,327 --> 00:06:18,318 Action! 94 00:06:20,287 --> 00:06:21,276 Carter. 95 00:06:21,367 --> 00:06:23,801 Pallan's trying to access the Link. 96 00:06:23,887 --> 00:06:26,560 We might be able to reprogram it. 97 00:06:35,927 --> 00:06:39,317 Oh! Do l dare put another console on that? 98 00:06:40,167 --> 00:06:41,725 Why not? 99 00:06:41,807 --> 00:06:46,642 - Hey, man! 1 4mm lens earlier on. - Then you're gonna get hosed. 100 00:06:46,727 --> 00:06:49,400 This one is gonna be a little bit of a problem. 101 00:06:49,487 --> 00:06:51,398 - l'll get hosed. - No, you won't. 102 00:06:51,487 --> 00:06:53,637 OK, l can't. 103 00:06:53,727 --> 00:06:56,844 Hosing. He's gonna get hosed. 104 00:06:56,927 --> 00:07:00,158 Candy's 1 4mm lens, l'll see if l double-dress it. 105 00:07:00,247 --> 00:07:04,001 - Move that one over there? Can't do it. - Action! 106 00:07:08,207 --> 00:07:13,201 Got it. Legal documents. All l can say is, thank God for lawyers. 107 00:07:13,287 --> 00:07:16,597 l liked it cos it has a midget in it. lt provides me with the knocks. 108 00:07:16,687 --> 00:07:18,484 That's a child. 109 00:07:18,567 --> 00:07:20,717 - He is? - He is. He's a child. 110 00:07:20,807 --> 00:07:23,401 He eats way too much for a child. 111 00:07:24,727 --> 00:07:30,120 We're trying to make it look like Carter isn't shooting this DVD. 112 00:07:31,967 --> 00:07:33,958 Aaagh! 113 00:07:38,167 --> 00:07:41,284 Wide-angle lens. Come on, Carter. 114 00:07:43,767 --> 00:07:45,359 ENHOH