1
00:00:14,007 --> 00:00:17,238
Come on over here because
this is going to be the hangar.

2
00:00:17,327 --> 00:00:20,319
We're not gonna build it here,
it'll just be a visual effect.

3
00:00:20,407 --> 00:00:22,637
lt's gonna be great.
You're gonna love it.

4
00:00:22,727 --> 00:00:25,036
We wanna be able to see
everything in here as is

5
00:00:25,127 --> 00:00:28,563
so, instead of making it dark
and moody like we normally would,

6
00:00:28,647 --> 00:00:32,959
we're gonna shoot a new Fuji film called
Reala which is balanced for mixed light.

7
00:00:33,047 --> 00:00:37,598
As you see up there,
it definitely qualifies as mixed light.

8
00:00:38,967 --> 00:00:42,323
Film usually has three layers.
Reala has four.

9
00:00:42,407 --> 00:00:46,878
lt's got a cyan layer which allows you
to balance tungsten, which is orange,

10
00:00:46,967 --> 00:00:49,162
and daylight, which is a blue light.

11
00:00:49,247 --> 00:00:51,602
This will allow freedom for the director.

12
00:00:51,687 --> 00:00:56,397
He'll be able to do Steadicam
and see all this cool stuff.

13
00:00:56,487 --> 00:01:00,765
Then, when we do the close-ups, we can
go in and fix 'em up, make 'em look good.

14
00:01:00,847 --> 00:01:02,838
We're not gonna do anything:

15
00:01:02,927 --> 00:01:06,397
just bring in the crew and some actors,
and shoot it the way it is.

16
00:01:06,487 --> 00:01:10,526
- How long did it take to get into this garb?
- About two hours?

17
00:01:10,607 --> 00:01:12,279
Two and a half hours.

18
00:01:12,367 --> 00:01:14,881
This is my Derek Zoolander.

19
00:01:14,967 --> 00:01:16,639
(laughter)

20
00:01:16,727 --> 00:01:19,480
l call it ''Blue Steel''.

21
00:01:19,567 --> 00:01:21,876
So you've worn prosthetics before?

22
00:01:21,967 --> 00:01:24,197
Oh, yeah. Lots of times.

23
00:01:24,287 --> 00:01:27,404
l was Fish Gill Face Man in ''Foothold''.

24
00:01:27,487 --> 00:01:31,878
l was an alien man with you,
with a kind of lobster feature.

25
00:01:31,967 --> 00:01:35,403
Unas. The metamorphosis freak.

26
00:01:35,487 --> 00:01:39,036
What about you, Patrick? This is
your first time wearing a prosthetic?

27
00:01:39,127 --> 00:01:41,118
First time, yes. Yes.

28
00:01:41,207 --> 00:01:44,165
lt's a wonderful experience.
Like a day at the spa.

29
00:01:44,247 --> 00:01:48,365
A layer of aloe underneath,
so you get a tingle.

30
00:01:48,447 --> 00:01:50,438
Contacts. Lovely.

31
00:01:50,527 --> 00:01:53,837
lt's best when they rotate
and you feel like the world's spinning.

32
00:01:53,927 --> 00:01:55,076
(laughter)

33
00:01:55,167 --> 00:01:57,397
(Andy) This set is in two components.

34
00:01:57,487 --> 00:02:01,002
There's the engine room component
and then the cockpit component,

35
00:02:01,087 --> 00:02:04,284
so things like this wall
can fly in when it's the engine room.

36
00:02:04,367 --> 00:02:06,437
lt's taken out when it's the cockpit.

37
00:02:06,527 --> 00:02:08,518
We shoot the engine room on the first day

38
00:02:08,607 --> 00:02:12,441
and it's turned overnight into the cockpit
for the rest of the episode.

39
00:02:12,527 --> 00:02:14,722
Lots of groovy stuff. Dug it out of storage.

40
00:02:14,807 --> 00:02:19,085
This stuff will blow up later. Special
effects will add some sparking devices.

41
00:02:23,967 --> 00:02:26,322
- What's going on?
- l do not know.

42
00:02:26,407 --> 00:02:28,716
We are losing engine power.

43
00:02:28,807 --> 00:02:32,766
(Andy) So we pull these panels,
and try to get our two-shot this way.

44
00:02:39,687 --> 00:02:43,362
This ship is gonna be gimbaling
on a 12° east and west arrangement.

45
00:02:43,447 --> 00:02:46,564
Let's go inside. lt's fun inside.

46
00:02:48,407 --> 00:02:51,956
Ohhh! l don't know if you can see it,
but l can sure feel it.

47
00:02:57,367 --> 00:02:59,517
(laughs)

48
00:02:59,607 --> 00:03:03,998
l paid my four tickets!
l'm staying on for the ride.

49
00:03:04,087 --> 00:03:07,363
Oh, the ride's over. Back to work.

50
00:03:07,447 --> 00:03:09,881
- Thanks, Wray.
- No problem.

51
00:03:09,967 --> 00:03:14,677
The second scene, after the establishing
shot, is scripted as a shot of Major Carter.

52
00:03:14,767 --> 00:03:16,678
l'm thinking of it like this -

53
00:03:16,767 --> 00:03:19,998
let's see if it ends up being like that
when the show's finished.

54
00:03:20,087 --> 00:03:23,841
lmagine those elevator doors closed,
and then the doors open.

55
00:03:23,927 --> 00:03:26,236
Track back, with Carter as she comes out.

56
00:03:26,327 --> 00:03:30,400
We whip around and she heads up
the stairs into the briefing room.

57
00:03:30,487 --> 00:03:33,320
Next we take her up the stairs,
around the corner.

58
00:03:33,407 --> 00:03:38,162
There's Daniel, Warrick and Hammond
and they are have a meeting right here.

59
00:03:38,247 --> 00:03:42,718
The government of your planet is letting
you share advanced technology with us

60
00:03:42,807 --> 00:03:45,685
in exchange for us
helping you to win a race?

61
00:03:47,847 --> 00:03:49,644
Not exactly.

62
00:04:05,007 --> 00:04:05,996
ENHOH