1 00:00:00,767 --> 00:00:02,758 (plays ''taps'') 2 00:00:08,327 --> 00:00:11,046 Cameras don't just record things. 3 00:00:11,127 --> 00:00:14,324 They change what they record simply by being there. 4 00:00:18,167 --> 00:00:20,886 l came by to give this back to you. 5 00:00:24,327 --> 00:00:26,887 l'm not gonna use it. 6 00:00:36,407 --> 00:00:38,682 Colonel Jack O'Neill. 7 00:00:38,767 --> 00:00:40,325 Teal'c. 8 00:00:40,407 --> 00:00:42,921 Sergeant Connie Smith. 9 00:00:43,007 --> 00:00:45,237 Major lan Hules. 10 00:00:45,327 --> 00:00:47,397 Senior Airman Simon Wells. 11 00:01:03,407 --> 00:01:06,797 ''Heroes'' started out as an entirely second-unit episode 12 00:01:06,887 --> 00:01:09,799 starring Saul Rubinek and a few other local characters. 13 00:01:09,887 --> 00:01:14,324 l shot it entirely on the base, in our standing sets, as an effort to save money. 14 00:01:14,407 --> 00:01:19,435 We had the idea of shooting a few extra scenes and making it into a two-parter. 15 00:01:19,527 --> 00:01:21,245 Well, l'll be damned. 16 00:01:26,767 --> 00:01:29,998 The idea being that we want to do a big tracking dolly shot 17 00:01:30,087 --> 00:01:32,760 with other SG team members, 18 00:01:32,847 --> 00:01:35,839 and then we gradually pick up SG-1 in the foreground, 19 00:01:35,927 --> 00:01:42,036 so we have two or three layers of our SG team members travelling right to left 20 00:01:42,127 --> 00:01:45,836 to ultimately hunker down and take cover with Dixon and the other guy. 21 00:01:47,367 --> 00:01:50,677 Then we'll blow some stuff up, lots of people firing guns. 22 00:01:50,767 --> 00:01:53,042 Al-kesh flying overhead. Gliders. 23 00:01:53,127 --> 00:01:58,599 We're gonna run four cameras. We've got the main A and B cameras on dolly tracks. 24 00:01:58,687 --> 00:02:02,521 One running on a wide 24 or 27mm perspective. 25 00:02:02,607 --> 00:02:06,839 Our second camera will be following O'Neill on a tighter lens perspective, 26 00:02:06,927 --> 00:02:09,521 probably a 50, or maybe as tight as an 85. 27 00:02:09,607 --> 00:02:12,326 We also have a third camera, which is gonna be 28 00:02:12,407 --> 00:02:16,116 a tight two-shot of Carter and Teal'c and those background two rocks. 29 00:02:16,207 --> 00:02:19,802 The final fourth camera is gonna shoot the explosion. 30 00:02:19,887 --> 00:02:24,039 We got a 104-foot trench in the back that we've loaded with 50 mortars. 31 00:02:24,127 --> 00:02:27,199 So we should have a wall about 130 feet wide and 80 feet high. 32 00:02:27,287 --> 00:02:31,565 We got some air rams over there. They're gonna be blowing up through the trees. 33 00:02:31,647 --> 00:02:35,117 We got stunt guys running and falling and shooting. 34 00:02:35,207 --> 00:02:38,882 - (man) Effects is hot. - (man #2) Everything's hot. Roll sound. 35 00:02:38,967 --> 00:02:42,277 - (man #3) Rolling. - (man #4) Rolling! 36 00:02:42,367 --> 00:02:45,165 Track seven to five advancing. 37 00:03:04,887 --> 00:03:09,677 - Hi, Jack. Thanks for coming. - l was told you said there were six Jaffa. 38 00:03:09,767 --> 00:03:12,361 Where'd you learn to count? 39 00:03:18,607 --> 00:03:23,806 Ships didn't start coming down till you radioed you were through the gate. 40 00:03:23,887 --> 00:03:26,447 They're throwing this party in your honour. 41 00:03:26,527 --> 00:03:28,677 (man) Cut! Everybody OK? 42 00:03:28,767 --> 00:03:31,440 (whooping and clapping) 43 00:03:34,127 --> 00:03:36,357 Anything to say about the 150th episode? 44 00:03:36,447 --> 00:03:40,076 Have we gotten any residuals yet? 45 00:03:40,167 --> 00:03:42,681 150 episodes with this guy. 46 00:03:43,887 --> 00:03:47,880 l'm never gonna retire. With this market? l'm never gonna retire at 55. 47 00:03:47,967 --> 00:03:53,166 They pick the shortest person on this set and load her up with the most gear. 48 00:03:53,287 --> 00:03:58,156 Here's Lara, our guest script supervisor for the day. How's it going, Lara? 49 00:03:58,247 --> 00:04:01,239 Good, good, good. lt's busy, busy, busy. 50 00:04:01,327 --> 00:04:05,639 ls it weird shooting a scene like this, given what's going on in the world? 51 00:04:05,727 --> 00:04:07,922 - Actually, it is, kinda. - lsn't it? 52 00:04:08,007 --> 00:04:12,444 Staff blast in the stomach. Must not hurt too bad. You're standing up. 53 00:04:12,527 --> 00:04:14,324 l'm very, very strong. 54 00:04:14,407 --> 00:04:18,844 - Are you guys both from Vancouver? - Toronto. 55 00:04:18,927 --> 00:04:21,441 l've come to Vancouver to act in Stargate. 56 00:04:21,527 --> 00:04:23,836 We have a highway in the background. 57 00:04:23,927 --> 00:04:26,521 Big Lou. Steady. 58 00:04:26,607 --> 00:04:32,045 - Low mode, 45° shutter. lt'll be great. - What does that 45° shutter do? 59 00:04:32,127 --> 00:04:36,325 lt almost gives it a picket-fence type effect. 60 00:04:36,407 --> 00:04:40,116 When the camera pans, the frames are very different from each other 61 00:04:40,207 --> 00:04:44,485 because it's a small shutter angle. The frames are further apart on the film. 62 00:04:44,567 --> 00:04:48,242 So whenever the camera moves, it gives a stuttering effect. 63 00:04:48,327 --> 00:04:51,319 Fraiser's in the field. She's doing her thing. 64 00:04:51,407 --> 00:04:53,921 You all set, Lou? 65 00:04:54,007 --> 00:04:56,726 And... action! 66 00:04:56,807 --> 00:04:58,479 Now. 67 00:04:58,567 --> 00:05:00,683 Man down over here! 68 00:05:02,207 --> 00:05:05,279 There's a lot of blood coming from underneath him. 69 00:05:05,367 --> 00:05:08,086 l'll cover you up on this ridge. 70 00:05:08,167 --> 00:05:11,398 - l'm Dr Janet Fraiser. Can you hear me? - Yeah. 71 00:05:11,487 --> 00:05:15,196 l'm shot bad. l can't move. l can't feel my leg. 72 00:05:15,287 --> 00:05:18,643 l need more time to stabilise this patient. 73 00:05:18,727 --> 00:05:21,560 - He can't be moved yet. - Go without me. Leave me. 74 00:05:21,647 --> 00:05:23,683 Nobody is going anywhere. 75 00:05:23,767 --> 00:05:26,406 - Egg salad. - Adam Baldwin, behind the scenes. 76 00:05:26,487 --> 00:05:28,557 Egg salad. Cool. 77 00:05:28,647 --> 00:05:31,207 This is the egg-salad branch of the DVD. 78 00:05:31,287 --> 00:05:34,359 l really like war movies. 79 00:05:34,447 --> 00:05:36,961 Mint? 80 00:05:37,047 --> 00:05:41,086 ls there a screen direction on the Jaffa guy? You want him coming...? 81 00:05:41,167 --> 00:05:44,284 - O'Neill looks right. He comes right to left. - Correct. 82 00:05:44,367 --> 00:05:47,803 O'Neill just sees a sketchy Jaffa through the trees. 83 00:05:47,887 --> 00:05:51,243 Which is enough to draw his attention to it. 84 00:05:51,327 --> 00:05:53,716 But start it enough that we could cut into it 85 00:05:53,807 --> 00:05:57,720 where it's just a sketchy something in the trees and we're not sure what. 86 00:05:57,807 --> 00:06:00,685 So this is a close-up, high-speed, on Rick. 87 00:06:01,767 --> 00:06:04,918 OK. Ready? Everybody's hot? We're all set? 88 00:06:05,007 --> 00:06:06,998 And... action! 89 00:06:19,927 --> 00:06:21,326 - What happened? - Please. 90 00:06:21,407 --> 00:06:24,877 l know at least one person was injured. All l want to say is... 91 00:06:24,967 --> 00:06:29,597 Look, leave me alone. And shut that damn thing off!. 92 00:06:32,967 --> 00:06:34,958 ENHOH