1 00:00:07,567 --> 00:00:08,966 SG-1, move out. 2 00:00:12,047 --> 00:00:16,199 - It was supposed to be a rescue mission. - It appears there's no one Ieft to rescue. 3 00:00:17,247 --> 00:00:18,805 Exercise extreme caution. 4 00:00:23,007 --> 00:00:25,965 - What is it? - I thought I heard something. 5 00:00:32,807 --> 00:00:35,526 We're at Bridge Studios and this is Stargate. 6 00:00:35,607 --> 00:00:38,280 This particular episode is entitled ''The Tomb'',... 7 00:00:38,367 --> 00:00:43,122 ..although it should be entitled ''Walking Around The Tunnels With A Flashlight''. 8 00:00:43,207 --> 00:00:46,836 A fun episode where we go to another planet... 9 00:00:46,927 --> 00:00:52,684 ..and we go into this ancient structure that has a flimsy ceiling that keeps leaking. 10 00:00:52,767 --> 00:00:57,841 We've got guys up in the rafters and every so often we'll have them drop dirt... 11 00:00:57,927 --> 00:01:00,487 ..to represent how weak the ceiling is. 12 00:01:00,567 --> 00:01:04,321 - This doesn't seem very stabIe. - (DanieI) It's over 4,000 years oId. 13 00:01:04,407 --> 00:01:09,276 Then they find out, in fact, if you'll come over with me, there's an animal in here,... 14 00:01:09,367 --> 00:01:11,927 ..who'd like nothing more than to eat them alive. 15 00:01:14,847 --> 00:01:18,283 This is the cocoon from which it came out of. 16 00:01:18,367 --> 00:01:26,081 And we find out that our pesky old enemy, the Goa'uld, has infested this beast,... 17 00:01:26,167 --> 00:01:32,083 ..and so we have a ferocious, carnivorous, piranha-like being... 18 00:01:32,167 --> 00:01:34,601 ..with a Goa'uld symbiote inside of it. 19 00:01:35,607 --> 00:01:37,677 It's around here somewhere. 20 00:01:37,767 --> 00:01:39,200 (inhuman squeaI) 21 00:01:40,567 --> 00:01:46,005 And this animal has been existing in this tomb for 4,000 years... 22 00:01:46,087 --> 00:01:51,923 ..inside the personification of the Babylonian God known as Marduk. 23 00:01:52,007 --> 00:01:54,202 He was eaten alive in his sarcophagus. 24 00:01:56,367 --> 00:01:59,325 ShouIdn't we open this first, make sure no one's home? 25 00:01:59,807 --> 00:02:03,436 - TeaI'c, ever seen anything Iike this? - Indeed I have not. 26 00:02:03,967 --> 00:02:07,642 So over here we have the sarcophagus in which we find Marduk. 27 00:02:07,727 --> 00:02:12,960 The beast was thrown in here with Marduk, with the Goa'uld in his head,... 28 00:02:13,047 --> 00:02:14,844 ..and then closed over. 29 00:02:14,927 --> 00:02:20,126 And his followers, who didn't like him very much, strapped him in there. 30 00:02:20,207 --> 00:02:24,837 The beast continuously ate him as the sarcophagus replenished him. 31 00:02:24,927 --> 00:02:28,840 So he was dying and being replenished, dying and being constantly eaten. 32 00:02:28,927 --> 00:02:30,883 Something ate this guy? 33 00:02:30,967 --> 00:02:36,997 The Goa'uld left the humanoid host body and went into the beast that was killing it. 34 00:02:37,887 --> 00:02:40,685 A better question is, where is it now? 35 00:02:41,807 --> 00:02:45,356 You might recognise this sarcophagus. lt's been in many episodes. 36 00:02:45,447 --> 00:02:47,438 Apophis was in this. 37 00:02:47,687 --> 00:02:55,002 And we used this sarcophagus in ''Need'', and Hathor came out of it as well. 38 00:02:55,287 --> 00:03:00,645 We're at lunch now, and Richard Dean Anderson is under this pile of rocks. 39 00:03:00,727 --> 00:03:03,116 Richard, do you want us to get you a sandwich? 40 00:03:03,207 --> 00:03:05,562 (muffled) That's OK. l'm fine. 41 00:03:05,647 --> 00:03:09,162 We like to keep the rocks in continuity, so we can't allow him to get up. 42 00:03:09,247 --> 00:03:13,604 And these are quite heavy. l mean, l can lift them, they are made of Styrofoam,... 43 00:03:13,687 --> 00:03:18,681 ..but you wouldn't want to get hit by one, especially if one was thrown from a rafter. 44 00:03:18,767 --> 00:03:24,797 ln this scene it required a fair amount of stunts and some heavy-duty stuff like that. 45 00:03:24,887 --> 00:03:29,563 lf you warn me, l can be looking up to see when it's coming, so it can be so close. 46 00:03:29,647 --> 00:03:31,922 Dan Shea did the first part of the cave-in... 47 00:03:32,007 --> 00:03:36,603 ..and then Richard Dean Anderson did something equally as dangerous. 48 00:03:36,687 --> 00:03:43,559 He stood under quite possibly 200lbs' worth of plastic-coated Styrofoam. 49 00:03:44,127 --> 00:03:46,118 And... action! 50 00:03:57,047 --> 00:03:58,196 CoIoneI O'NeiII. 51 00:03:58,287 --> 00:04:01,518 So we got Richard Dean Anderson out of the shot... 52 00:04:01,607 --> 00:04:06,397 ..and in fact went into this room and tied him in. lt's always great to do a tie-in. 53 00:04:06,487 --> 00:04:12,960 A tie-in literally does what it says: it ties in your actor to the actual action. 54 00:04:13,047 --> 00:04:17,996 Sometimes we have clean POVs and Richard Dean Anderson's in the Bahamas. 55 00:04:18,087 --> 00:04:22,922 But once in a while we tie in Richard Dean Anderson to the actual stunt. 56 00:04:23,007 --> 00:04:24,281 Yeah, I'm OK. 57 00:04:24,367 --> 00:04:28,406 The bigger pile in the back was what we think is the demise of our bad guy,... 58 00:04:28,487 --> 00:04:34,676 ..but in classic horror-film form he comes back and the hand sort of comes out... 59 00:04:34,767 --> 00:04:36,564 ..and we realise he's not dead. 60 00:04:41,367 --> 00:04:45,280 l don't know if you recognise this slant, but this is the mother ship... 61 00:04:45,367 --> 00:04:47,198 ..because it has a pyramid shape. 62 00:04:47,287 --> 00:04:51,678 When you turn you begin to see this big, black, beautiful,... 63 00:04:51,767 --> 00:04:54,156 ..pyramid-like Naqahdah finish. 64 00:04:54,247 --> 00:04:57,080 And this is the kind of stuff you'll see in the mother ship. 65 00:04:57,167 --> 00:05:00,716 And these hallways were all mother ship-ish,... 66 00:05:00,807 --> 00:05:03,844 ..and then they were covered over with the stone. 67 00:05:03,927 --> 00:05:06,964 Carter, how do you know where to go in a pIace Iike this? 68 00:05:07,047 --> 00:05:12,201 So this giant V that we're looking at is the front of a peltak,... 69 00:05:12,287 --> 00:05:17,441 ..and traditionally Apophis or even Cronus would be sitting there on his throne,... 70 00:05:17,527 --> 00:05:20,837 ..and he'd be yelling orders at his Jaffa. 71 00:05:21,207 --> 00:05:25,325 You might even see a shot over a shoulder of an evil bad guy,... 72 00:05:25,407 --> 00:05:30,959 ..and then over here you would see a space window and a big planet,... 73 00:05:31,047 --> 00:05:35,563 ..or even a giant curtain which we like to call the star field. 74 00:05:35,647 --> 00:05:38,798 lt's nothing more than just a giant piece of black velvet... 75 00:05:38,887 --> 00:05:42,402 ..with little pieces of sparkles on it. 76 00:05:42,487 --> 00:05:46,526 This is another example of how we are able to reuse sets... 77 00:05:46,607 --> 00:05:49,883 ..and get the most production banked for our production dollar. 78 00:05:55,207 --> 00:05:57,437 (shouting) 79 00:06:02,487 --> 00:06:04,682 - Hey, get outta there! - (screams)