l'm Christopher Judge,
and we're gonna do some extra special behind-the-scenes stuff for ''The Warrior'',
which l wrote the story for, and Peter DeLuise wrote the screenplay.
This is Sharpe Sound. This is where we do a lot of our looping
and the postproduction sound.
There's the lion, and this is one of the sound stages.
l said to Chris Judge ''You can kiss my butt!''
Hey, Chris. l didn't see you there.
- Here's Peter DeLuise. - Welcome to Sharpe Sound.
Director and writer of the teleplay for ''Warrior''.
I decIare this worId a free worId for aII Jaffa!
(cheering)
You had two ideas for a pitch:
the Amazon women episode with Amazon Jaffa,
and then you had the other pitch, which was about lmhotep.
He was a great thinker of early Egyptian times,
and so he was a natural to be a Goa'uld personality that we would encounter.
lf he was gonna fool us and we needed to believe he was a Jaffa,
he had to be undercover as somebody else.
Join us in the struggIe against our oppressors
- and Iive to see freedom! - (cheering)
So, in that way, l thought if he was very charismatic and we put that out there,
that Teal'c would say ''Oh, man. We've finally found a rebel faction
that we can join forces with and get excited about.''
And that's how that...
l think that was the seed of the idea that started to grow
when you brought up the name of lmhotep.
Let us ceIebrate this new aIIiance.
(cheering)
- They reaIIy Iike doing that, don't they? - Yes, sir.
(Christopher Judge) The idea of the Capoeira was absolutely phenomenal,
and it gave the episode a look and a feel like no other.
How did you come up with that?
After you submitted the story idea, l was writing the outline for the episode.
And it occurred to me that at the end we were going to have this incredible fight
between Teal'c and the character of K'tano,
who was eventually gonna reveal that he was, in fact, lmhotep.
You die at the hand of your god...
(distorted) Imhotep.
Because he's a 2,000-year-old being,
he's had more time to perfect his ability to fight.
But that wasn't enough. l had to give him a reason why he was kicking your butt.
What l came up with was that he had a special discipline of martial arts.
l was inspired of course by Darth Maul and his ability to do martial arts.
I think a IittIe demonstration is in order.
l was working out at the gym
and l thought ''What could the special martial art be?''
And l saw a poster for Capoeira, and Capoeira is Brazilian fight-dancing.
Capoeira was a discipline that was done to music,
and it was done by slaves
who were fooling their masters into thinking that they were dancing.
This is the perfect thing for an alien martial art.
So l contacted the guys from the poster at my gym
and they were keen to do this thing: ''Hey, we're gonna be on TV.''
(Judge) The esteemed director Peter DeLuise is slating the Capoeira scene.
This is when we come onto the encampment of different races of Jaffa,
who have all banded together to form their own nation of warriors.
- And here it goes. - Thank you.
And... action.
Very sweet. This is the Bashaak training scene.
If you wouId aIIow me.
The weapon is baIanced, but the warrior is not.
When one overcommits, one becomes vuInerabIe to counterattack.
When one achieves baIance in combat, one wiII survive to achieve baIance in Iife.
(Richard Dean Anderson) Just as part of the commentary of this documentary,
notice the man in grey, in the costume.
That is actually a beard and moustache.
That's not a fake. lt's real.
You might wanna zoom in real closely.
You overcommit!
(Christopher Judge) There's Rick, Tony...
There's Amanda. Say hi.
Hi.
- How are ya? - Peachy.
Look at her. She's shy.
l wanna say thank you to Stargate for giving me this opportunity,
and l hope we can do business for many, many years. Bye.
Hi, l'm Dan Shea, stunt coordinator for Stargate SG-1.
We're gonna see some Capoeira-like fight choreography here
in a couple of seconds. Kinda cool.
(Judge) We're going to record an actual rehearsal.
Easy, stick boy. I'm just here to heIp.
l also developed, with the help of Wray Douglas
and his incredible team of guys in the special effects department,
something called a revolver-shot rig.
That is a camera on an armature
that spins at very high revolutions - one revolution per second -
in a 20-foot-round circle.
That simulates flow-mo, or bullet time - something you might see in The Matrix -
and was able to capture in very slow motion,
and yet continuing to be very dynamic, your fight.
And l really needed it to be the clash of the titans,
the incredible prowess and strength of Teal'c matched, or outmatched,
by this incredible titan and amazing fighter, K'tano.
And l really had to invent a new way to make that sell.
Here we are, shooting the last scene of ''The Warrior''.
Deceiver!
We have been deceived!
Deceiver!
You have deceived us!
You and your claims, deceit and treachery!
ln order to crush them in one attack, the betrayer has been betrayed!
(K'tano) You have returned without victory!
Joma Secu.
You challenge me?
Joma Secu!
Very well.
(director) Switch!
Perhaps you think l will spare you.
This is a fight to the death. Your death.
ShoI'va!
Is that the best you can do?
(director) And fall!
K'tano is not Jaffa!
He was a Goa'uld.
The Goa'uld lmhotep!
K'tano was a Iie.
But the cause that brought us to Cal Mah was not.
An alliance must be formed between free Jaffa
and our brothers and sisters of the Tauri if either wishes to survive.
(director) And we're bowing! Everyone's bowing!
Teal'c seems to be in charge!
And boom!
This is what a director looks like when he's very concerned.
Leave with us! Leave with us if you wish to live!
You say you wish to be free?
FoIIow TeaI'c. He speaks the truth.
Our time wiII come, oId friend.
But not this day.