1
00:00:02,480 --> 00:00:03,440
Open the iris.

2
00:00:05,920 --> 00:00:06,760
You have a go.

3
00:00:12,600 --> 00:00:13,920
WeIcome to Earth.

4
00:00:15,640 --> 00:00:17,000
And action!

5
00:00:24,320 --> 00:00:26,720
This is my friend and idol,

6
00:00:27,320 --> 00:00:30,280
Peter DeLuise, our great director,

7
00:00:30,680 --> 00:00:36,320
and this is the first video shot
l've ever taken in my life.

8
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- Really?
- Yes, it is.

9
00:00:37,600 --> 00:00:41,560
Well, you're doing a great job.
l mean, l'm a bit out of focus...

10
00:00:41,640 --> 00:00:44,280
I... That's rude. I hate that.

11
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This is Jack Osterbach,
who is head of our craft service,

12
00:00:48,920 --> 00:00:53,800
and also he's the guy
that looks after us if any of us get hurt.

13
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- Hey.
- Hey.

14
00:00:56,160 --> 00:00:58,560
- Can I see your scar?.
- No.

15
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What, generally,
is the craft-service guy's responsibility?

16
00:01:03,480 --> 00:01:04,960
Ah.

17
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Basically, it's first aid,
emergency first aid,

18
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and providing munchy food
for the crew between meals.

19
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- Wow.
- Oh, yeah.

20
00:01:16,200 --> 00:01:20,120
- This is the best pie I've ever had.
- It is most satisfying.

21
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This is Dan Shea. He's the stunt
coordinator on Stargate SG-1,

22
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and he is one of the best in the business.

23
00:01:30,680 --> 00:01:33,160
Hey, SiIer.

24
00:01:33,240 --> 00:01:37,280
Whenever you work with Richard Dean
or Greenburg or any of these guys,

25
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it's big action-adventure stuff,
so it's more interesting.

26
00:01:40,640 --> 00:01:43,560
We have people being
air-rammed all over the place,

27
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ratcheted all over the place, set on fire -
for the most part on purpose.

28
00:01:48,880 --> 00:01:51,320
And, uh, just generally

29
00:01:51,400 --> 00:01:55,080
you're doin' feature stuff
every week, for episodic,

30
00:01:55,160 --> 00:02:00,360
and it's very, very interesting.
lt's hard work, but it's very stimulating,

31
00:02:00,440 --> 00:02:02,320
and a ton of fun. Very enjoyable.

32
00:02:02,400 --> 00:02:05,560
- Forget to change the Iight buIb, SiIer?.
- That's not my job, sir.

33
00:02:05,640 --> 00:02:07,840
Yes, sir. Light buIb. Very amusing.

34
00:02:07,920 --> 00:02:11,600
(Don) You're also one of the
recurring characters on the show.

35
00:02:11,680 --> 00:02:14,960
What does it do to your head
when you've got a day

36
00:02:15,040 --> 00:02:19,040
in which you've got to play
your character of Sergeant Siler,

37
00:02:19,120 --> 00:02:22,480
and then you've got a stunt
coming later on in the day?

38
00:02:22,560 --> 00:02:26,280
l think the people have demanded
that. There's been such a groundswell,

39
00:02:26,360 --> 00:02:30,960
not only on this planet, but l think there's
actually been faxes from other planets,

40
00:02:31,040 --> 00:02:34,240
that this character has touched
such a nerve in all of us -

41
00:02:34,320 --> 00:02:39,360
the everyday guy, the common kind
of a chump in each and every one of us.

42
00:02:39,440 --> 00:02:42,520
And it's almost like
Beatlemania, in a sense,

43
00:02:43,880 --> 00:02:48,240
that this one little day player,
with one line every eight episodes,

44
00:02:48,320 --> 00:02:51,360
could touch the hearts and
minds of people all over the world.

45
00:02:51,440 --> 00:02:54,840
Just teII me the minute
we can send a probe through.

46
00:02:54,920 --> 00:02:57,240
That'II be 24 hours, GeneraI, minimum.

47
00:02:57,320 --> 00:03:00,960
- Carter and O'NeiII do not have that Iong.
- I'II give you haIf that.

48
00:03:01,040 --> 00:03:05,280
No, sir. It doesn't work that way.
24 hours is the best I can do.

49
00:03:05,360 --> 00:03:08,720
- Then you'd better get back to it.
- Yes, sir. Come on, Iet's go.

50
00:03:08,800 --> 00:03:12,560
l don't wanna say it's an extraordinary
performance every week,

51
00:03:12,640 --> 00:03:15,840
but, uh, it's an extraordinary
performance every week.

52
00:03:16,720 --> 00:03:19,160
Major?.

53
00:03:22,480 --> 00:03:23,400
You're kidding.

54
00:03:23,480 --> 00:03:26,120
Now l'm talking to Bill, and he is the man

55
00:03:26,200 --> 00:03:29,640
that makes our monitors
work for us on the show.

56
00:03:29,720 --> 00:03:32,560
And he's got probably
the most difficult job of all,

57
00:03:32,640 --> 00:03:39,600
because he's got to deal with the finite
time limits of the video that's been shot.

58
00:03:39,680 --> 00:03:41,720
Do you recognise any of this?

59
00:03:41,960 --> 00:03:45,720
- I do not, GeneraI Hammond.
- Nope. Neither do I.

60
00:03:50,160 --> 00:03:53,800
The actors are sitting there, typing away,
pretending to do their thing.

61
00:03:54,520 --> 00:03:57,280
And, you know,
meanwhile in the background,

62
00:03:57,360 --> 00:04:01,280
you're actually the one that's
hitting the keys and setting it up.

63
00:04:01,600 --> 00:04:03,360
ShouIdn't there be a memo on this?

64
00:04:03,440 --> 00:04:06,920
A lot of times you're dealing
with, you know, 12, 13, 1 4 monitors.

65
00:04:07,000 --> 00:04:10,600
- So it's a stressful job, isn't it?
- Yeah, it gets... Sometimes.

66
00:04:11,240 --> 00:04:12,360
What is it?

67
00:04:16,360 --> 00:04:19,000
Martin is our sound mixer
here on the second unit.

68
00:04:19,080 --> 00:04:23,520
He's our boom operator on first unit,
so he's a guy that wears multiple hats.

69
00:04:23,600 --> 00:04:26,520
He can do it because he's brilliant
at every task he's given.

70
00:04:27,240 --> 00:04:28,080
Care to share?

71
00:04:28,160 --> 00:04:31,880
Don, it's... l've never seen you
without your pants on, but it's...

72
00:04:31,960 --> 00:04:34,280
- Oh, my God!
- ..awful chilly in here.

73
00:04:34,360 --> 00:04:35,640
l'm gonna cut this now.

74
00:04:36,120 --> 00:04:37,160
Cut!

75
00:04:37,600 --> 00:04:39,200
This is Thom Wells.

76
00:04:39,280 --> 00:04:45,040
Thom builds a set for a major
feature film every week.

77
00:04:48,840 --> 00:04:50,640
Have you heard of Ikea?

78
00:04:50,720 --> 00:04:52,600
Thom, tell me something.

79
00:04:52,680 --> 00:04:57,160
What's the most difficult thing about
having to handle a show this large

80
00:04:57,240 --> 00:04:59,440
and meet the schedule you're on?

81
00:05:00,040 --> 00:05:03,400
l don't think there's any one thing
that's difficult,

82
00:05:03,480 --> 00:05:07,000
it's just holding the whole thing together.

83
00:05:07,880 --> 00:05:09,560
And all of the time...

84
00:05:09,640 --> 00:05:13,560
l mean, oftentimes we have
six or eight episodes going at a time,

85
00:05:13,640 --> 00:05:18,000
and, uh, just keeping them
all in position and tracking money

86
00:05:18,080 --> 00:05:20,200
is probably the biggest job.

87
00:05:29,240 --> 00:05:31,840
Layla's our locations coordinator,

88
00:05:31,920 --> 00:05:36,160
and Jamie is her number one assistant.

89
00:05:36,240 --> 00:05:40,240
What's the fondest memory, other than
getting to spend every day with Jamie,

90
00:05:40,320 --> 00:05:43,160
that you're going to
take away from the show?

91
00:05:43,240 --> 00:05:45,680
The fondest memory...

92
00:05:45,760 --> 00:05:48,360
l think it's when we're out
on location, and, uh,

93
00:05:48,440 --> 00:05:52,840
you know, Mike, Rick, the boys,
are complaining about the air traffic.

94
00:05:52,920 --> 00:05:57,400
And we make the pretend call in
to the tower, then all the planes stop!

95
00:06:03,800 --> 00:06:05,400
Whoo-hoo-hoo!

96
00:06:05,840 --> 00:06:07,840
What was your favourite moment?

97
00:06:07,920 --> 00:06:10,320
lt was when l got to be a Tok'ra.

98
00:06:12,240 --> 00:06:14,360
You've... done something with your hair.

99
00:06:14,840 --> 00:06:17,600
This is the office of Peter DeLuise,

100
00:06:17,680 --> 00:06:22,280
who is a creative consultant for our show,
one of the writers on our show,

101
00:06:22,360 --> 00:06:27,320
and as you have learned earlier, one
of the finest directors in the business.

102
00:06:27,400 --> 00:06:31,400
l'm going to break into his off...
They've locked me out of his office!

103
00:06:31,480 --> 00:06:33,720
Let me in! Let me in!

104
00:06:33,800 --> 00:06:36,360
This gentleman here

105
00:06:36,440 --> 00:06:39,640
is Peter's first assistant director.

106
00:06:40,840 --> 00:06:45,920
His name is Alex Pappas, and he and l
have known each other for many years.

107
00:06:46,000 --> 00:06:47,320
A long, long time.

108
00:06:47,400 --> 00:06:51,680
And one time, we actually ate
escargots and grits in the same meal.

109
00:06:52,040 --> 00:06:52,840
Excuse me?

110
00:06:53,280 --> 00:06:57,480
We're coming to the cubicle
of our creative force,

111
00:06:57,560 --> 00:07:02,520
the fabulous writing team,
Joseph Mallozzi and Paul Mullie,

112
00:07:02,600 --> 00:07:04,800
and their plaything/muse.

113
00:07:04,880 --> 00:07:09,720
Come in, Don. Come into our spacious
cubicle and witness the creative...

114
00:07:09,800 --> 00:07:11,400
What is this?

115
00:07:11,480 --> 00:07:14,320
This is the big season finale
we're working on now.

116
00:07:14,400 --> 00:07:17,680
We have, um... three acts so far.

117
00:07:17,760 --> 00:07:21,720
So it's a very special 27-minute
episode of Stargate right now.

118
00:07:21,800 --> 00:07:23,800
But we'll come up with more material.

119
00:07:23,880 --> 00:07:29,040
We had five acts, but we, uh, lost one,
sometime over the course of the day.

120
00:07:29,280 --> 00:07:32,520
- Wow.
- That's, uh...

121
00:07:32,600 --> 00:07:33,600
(both) Ambitious.

122
00:07:33,680 --> 00:07:36,760
As a writer on staff, you get certain perks.

123
00:07:37,000 --> 00:07:40,560
(Don) All of a sudden,
we find items of interest.

124
00:07:41,080 --> 00:07:44,480
Now, what's the significance
of this display of sculptures?

125
00:07:44,560 --> 00:07:49,400
(PauI) What inspiration do you draw
from, uh, your Simpsons dioramas?

126
00:07:49,480 --> 00:07:50,600
(Don) Yes.

127
00:07:50,680 --> 00:07:53,400
(PauI) How does that help you
write episodes of Stargate?

128
00:07:54,000 --> 00:07:54,760
Doh!

129
00:07:54,840 --> 00:07:57,720
What's your fondest moment
on the show?

130
00:07:58,720 --> 00:08:03,240
Um... Other than working with you,
my fondest moment is, um,

131
00:08:03,800 --> 00:08:05,920
when l, uh,

132
00:08:06,400 --> 00:08:08,280
when l, uh... when l...

133
00:08:08,360 --> 00:08:11,760
The repartee and the fun
that we have on the show.

134
00:08:11,840 --> 00:08:17,360
Sometimes it gets out of hand, and l
have to corral the actors like school kids,

135
00:08:17,440 --> 00:08:21,680
but the crew is very professional,
and they kick major butt, and...

136
00:08:22,960 --> 00:08:25,120
You know, l'm happy to be a part of this,

137
00:08:25,200 --> 00:08:31,200
you know, high-quality, uh,
enthusiastic, fun, passionate bunch.

138
00:08:33,640 --> 00:08:37,200
Let me just say it's been a pIeasure
serving with aII of you.